Larry Carlton - G5A LH Tobacco Sunburst Satin
New
457,50 €
excl VAT
Out of stock
Guarantee 3
years
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Eric
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Lefthanded Electro Acoustic Guitar
Sire Larry Carlton G5A LH Tobacco Sunburst Satin
ARTICLE N° 122065
Features
Body shape
Single Cut, LP-Style
Tuning machine
Open tuners, Vintage
Number of strings
6
Instrument size
4/4, standard
Number of frets
22
Nut width
43,00 mm (1,693")
Neck material
Mahogany
Fingerboard material
Rosewood
Scale length
647,00 mm (25,47")
Top material
Solid Epicea
Fingerboard radius
406 mm (16,00")
Hardware color
Chrome
Electronic
Active
Side material
Mahogany
Back material
Mahogany
Cutaway
Yes
Left-handed instrument
Yes
Finish
Satin
Pickup setup
Piezo
Neck shape
C
Packaging
Single unit
Color
Tobacco, Sunburst
Assembly
Bolt-on neck
Artist
Larry Carlton
Other features
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Sire Larry Carlton G5A LH
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Electro-acoustic guitar
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Series : G5A
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Format: Sire solidbody acoustic
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Pitch : 647.7 mm
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Colour : Satin natural (NT.S)
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Finish : Satin
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Top : Solid spruce
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Sides : Mahogany
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Back : Mahogany
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Bridge : Sire acoustic bridge
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Neck : Mahogany, C profile
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Fingerboard : Edgeless™ rosewood (rounded edges)
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Radius : 406,4 mm
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Number of frets : 22
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Frets types : Vintage
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Frets size : 2,0 mm
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Nut size: Bone - 43 mm
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Tuning: Vintage-style open tuning
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Fittings finish: Chrome
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Pick-up: Piezo under saddle
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Preamp: Vividx-A
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Controls: Volume, treble, middle, bass, phase switch
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Full acoustic body
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3-band EQ system (treble, midrange, bass)
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Under-bridge piezo pickup
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Vintage-style open-gear action
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Abalone fingerboard markers
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4-screw neck-body joint with ferrules
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String spacing: 10.6 mm
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No pickguard
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Designed for warm, brilliant acoustic sound
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16" radius fingerboard (flatter for modern comfort)
To find out more...
Larry Carlton was also a much sought-after musician for his ability to play sophisticated arrangements 'sight unseen' from the first take, an essential skill in the Los Angeles studios where recording time was very limited.
He developed a very rich harmonic language based on jazz extensions (9th, 11th, 13th), but always integrated into simple melodic lines, which makes his playing immediately legible to the listener.
He influenced modern production by showing that the guitar could be a rhythmic, harmonic and melodic element without ever overloading the arrangement.
He developed a very rich harmonic language based on jazz extensions (9th, 11th, 13th), but always integrated into simple melodic lines, which makes his playing immediately legible to the listener.
He influenced modern production by showing that the guitar could be a rhythmic, harmonic and melodic element without ever overloading the arrangement.
