Marcus Miller - V3 2nd Generation 5 Cordes LH Orange
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465,83 €
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Guarantee 3
years
Lefthanded Bass
Sire Marcus Miller V3 2nd Generation 5 Strings LH Orange
ARTICLE N° 122620
Features
Body shape
Type Jazz Bass
Type of tuners
Open tuners
Number of strings
5
Instrument size
Long scale (34")
Body Type
Solid body
Nut width
46,00 mm (1,811")
Neck material
Maple
Fingerboard material
Rosewood
Scale length
864,00 mm (34,02")
Top material
Mahogany
Fingerboard radius
241 mm (9,50")
Body material
Mahogany
Hardware color
Chrome
Electronic
Active and passive
Cutaway
Yes
Pickguard color
Black
Left-handed instrument
Yes
Artist
Marcus Miller
Pickup setup
JJ
Neck shape
C
Packaging
Single unit
Color
Orange
Assembly
Bolt-on neck
Other features
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Sire Marcus Miller V3 2nd Generation 5 Strings LH
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Left-handed electric bass
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Series : V
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Format: Marcus Miller Jazz Type new generation
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Pitch : 864 mm
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Colour : Orange
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Top : Mahogany
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Sides : Mahogany
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Back : Mahogany
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Bridge: Marcus Standard Bass Bridge with through-body stringing
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Neck : Canadian Hard Maple
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Fingerboard : Rosewood with Edgeless™ rounded edges
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Radius : 241.3 mm
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Frets types: Medium 2.4
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Frets size : 2.4 mm
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Nut: Natural bone, 46 mm wide
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Tuning: Standard Open Gear
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Fittings finish: Chrome
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Pickup: Marcus Standard J-Revolution pickup set
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Preamp: Marcus Heritage-3 with midrange frequency control
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Controls: Volume/Tone (dual potentiometer) | Pickup Balance | Treble | Midrange/Midrange Frequency (dual potentiometer) | Bass | Mini on/off switch
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Body material: Mahogany
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Neck shape: C-Shape
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Neck/body joint: Square steel plate with 4 bolts
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Fingerboard Edges: Rolled Fretboard Edges / Edgeless™
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Markers: White pearl dots
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Control buttons : Jazz type in black plastic
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Cover plate: 3-ply black/white/black
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Metal parts finish: Chrome
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Preamp with 3-band equalizer
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Selectable active/passive mode
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Pickups designed with Heavy Formvar magnet wire made in the USA
To find out more...
Marcus Miller's relationship with the European scene is particularly strong. For several decades now, he has performed regularly at prestigious festivals such as the Montreux Jazz Festival. European audiences often appreciate the instrumental and exploratory dimension of his music. Miller sometimes adapts his concerts to suit different countries and cultural contexts. This special relationship with Europe plays an important role in his international career. It also enables him to develop collaborations with musicians from very different horizons, further enriching his artistic palette and his understanding of global and contemporary musical traditions.
