Marcus Miller - V3 2nd Generation 5 Cordes LH Red Satin
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Lefthanded Bass
Sire Marcus Miller V3 2nd Generation 5 Strings LH Red Satin
ARTICLE N° 122621
Features
Body shape
Type Jazz Bass
Type of tuners
Open tuners
Number of strings
5
Instrument size
Long scale (34")
Body Type
Solid body
Nut width
46,00 mm (1,811")
Neck material
Maple
Fingerboard material
Rosewood
Scale length
864,00 mm (34,02")
Top material
Mahogany
Fingerboard radius
241 mm (9,50")
Body material
Mahogany
Hardware color
Chrome
Electronic
Active and passive
Cutaway
Yes
Pickguard color
Black
Left-handed instrument
Yes
Artist
Marcus Miller
Pickup setup
JJ
Neck shape
C
Packaging
Single unit
Color
Red
Assembly
Bolt-on neck
Other features
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Sire Marcus Miller V3 2nd Generation 5 Strings LH
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Left-handed electric bass
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Series : V
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Format: Marcus Miller Jazz Type new generation
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Pitch : 864 mm
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Colour : Red Satin
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Top : Mahogany
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Sides : Mahogany
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Back: Mahogany
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Bridge: Marcus Standard Bass Bridge with through-body stringing
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Neck : Canadian Hard Maple
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Fingerboard : Rosewood with Edgeless™ rounded edges
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Radius : 241.3 mm
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Frets types: Medium 2.4
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Frets size : 2.4 mm
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Nut: Natural bone, 46 mm wide
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Tuning: Standard Open Gear
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Fittings finish: Chrome
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Pickup: Marcus Standard J-Revolution pickup set
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Preamp: Marcus Heritage-3 with midrange frequency control
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Controls: Volume/Tone (dual potentiometer) | Pickup Balance | Treble | Midrange/Midrange Frequency (dual potentiometer) | Bass | Mini on/off switch
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Body material: Mahogany
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Neck shape: C-Shape
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Neck/body joint: Square steel plate with 4 bolts
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Fingerboard Edges: Rolled Fretboard Edges / Edgeless™
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Markers: White pearl dots
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Control buttons : Jazz type in black plastic
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Cover plate: 3-ply black/white/black
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Metal parts finish: Chrome
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Preamp with 3-band equalizer
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Selectable active/passive mode
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Pickups designed with Heavy Formvar magnet wire made in the USA
To find out more...
One of the major characteristics of Marcus Miller's playing is his management of timing. He often places his notes slightly behind the beat to create a more relaxed, deeper groove. This rhythmic subtlety requires great technical mastery and excellent collective listening skills. Many bassists study his placement to understand why his playing seems so fluid and natural. Miller sees rhythm as a living thing that should breathe rather than be mechanical. This very human conception of groove contributes greatly to the emotional impact of his compositions and his live performances over several decades on major international stages.
