Dunlop - EVHR02 EVH Frankenstein 0,60 mm Sachet de 24
32,50 €
excl VAT
In Stock
Usually ships within 48h
+infos
Picks
The look of Dunlop EVHR02 EVH Frankenstein 0.60 mm picks screams rock, but they groove everywhere. Funk, reggae, even jazz: it responds without faltering. The nylon snaps when it needs to, then becomes softer. Nothing rigid, nothing effete. It follows the feeling, not just the style. This Frankenstein is an angry chameleon of sound.
ARTICLE N° 105149
Presentation
The set of 24 Dunlop EVHR02 EVH Frankenstein 0.60 mm picks glide without biting when you attack in "Panama" mode. It remains stable without slowing down your wrist.
On a sensible guitar, this crazy look shakes things up. It's visual chaos, and it works!
In tight palm mute, the 0.60 mm slams just right. Not too soft, not too stiff.
The Frankenstein design triggers fiercer solos without warning. A real catalyst for savagery.
On metal strings, the attack remains soft but never mushy. The nylon has a lively, direct grain.
Compared with Tortex or Ultex, it feels more responsive. More responsive, less rigid to the touch.
On a sensible guitar, this crazy look shakes things up. It's visual chaos, and it works!
In tight palm mute, the 0.60 mm slams just right. Not too soft, not too stiff.
The Frankenstein design triggers fiercer solos without warning. A real catalyst for savagery.
On metal strings, the attack remains soft but never mushy. The nylon has a lively, direct grain.
Compared with Tortex or Ultex, it feels more responsive. More responsive, less rigid to the touch.
Features
Artist
Eddie Van Halen
Thickness / hardness
0.60 mm
Material
Nylon
Packaging
Pack of 24
Color
Black, Red, White
Other features
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Dunlop EVHR02 EVH Frankenstein 0.60 mm Bag of 24
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Picks
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Colours: black, red and white
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Thickness: 0.60 mm
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Material: Nylon
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Eddie Van Halen
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Design inspired by Eddie Van Halen's guitar
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Quantity: 24
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Made in the USA
To find out more...
Eddie tinkered with his amps with a screwdriver. He often played with his back to the audience to hide his techniques. A fierce autodidact, he composed by instinct. A formidable keyboardist, he was behind the synths in Jump. He didn't read music, he reinvented it. Raw energy, molten brain. A rock UFO.
