Larry Carlton - L3 HH LH Surf Green Metallic
New
524,17 €
excl VAT
In Stock
Usually ships within 3 days
+infos
Guarantee 3
years
Fred
Eric
Do you need help?
Lefthanded Electric Guitar
Sire Larry Carlton L3 HH LH Surf Green Metallic
ARTICLE N° 121906
Features
Body shape
LP-Style
Type of tuners
Standard tuners, Die cast
Number of strings
6
Instrument size
4/4, standard
Number of frets
22
Nut width
43,00 mm (1,693")
Neck material
Mahogany
Fingerboard material
Rosewood
Scale length
628,65 mm (24,75")
Pickup type
Passives
Fingerboard radius
304 mm (11,968")
Body material
Mahogany
Hardware color
Chrome
Electronic
Passive
Cutaway
Yes
Bridge configuration
wraparound
Pickguard color
Black
Left-handed instrument
Yes
Artist
Larry Carlton
Pickup setup
HH
Packaging
Single unit
Bridge shape
Wraparound
Color
Surf Green
Assembly
Set neck
Other features
-
Sire Larry Carlton L3 HH LH
-
Electric guitar
-
Series: L3
-
Format: Sire L Junior Shape
-
Pitch : 628.65 mm
-
Colour : Gold Top (GT)
-
Bridge : Wraparound bridge
-
Neck : Mahogany
-
Fingerboard : Edgeless™ rosewood (rounded fret edges)
-
Radius : 304.8 mm
-
Number of frets : 22 frets
-
Frets types : Medium Jumbo
-
Frets size : 2.7 mm
-
Nut: Bone nut, width 43 mm
-
Tuning mechanisms: Standard diecast tuning mechanisms
-
Fittings finish: Chrome
-
Pickups: Set of LC Standard humbuckers (H-H)
-
Controls: 3-position toggle switch
-
Mahogany body
-
Pickup configuration: H-H (double humbucker)
-
Saddle width: 43 mm
-
String spacing : 10.5 mm
-
Wraparound bridge
-
Hardware finish: Chrome
-
Pickguard : Tortoiseshell (GT)
-
Left-handed instrument (LH)
-
50s-inspired design
-
Glued neck
-
Inlay : White Pearloid Dot
To find out more...
Larry Carlton built a rare reputation in the world of guitar: that of a musician capable of making every note 'speak'. In the 70s, he became one of the pillars of the Los Angeles sessions, to the point of being nicknamed "Mr. 335" for his emblematic use of the Gibson ES-335.
His playing on Room 335 (now a cult classic) perfectly illustrates his approach: a blend of sophisticated jazz, lilting blues and almost vocal precision. He also marked generations of guitarists by showing that a solo doesn't need extreme speed to be memorable - just placement, taste and control of sound.
His playing on Room 335 (now a cult classic) perfectly illustrates his approach: a blend of sophisticated jazz, lilting blues and almost vocal precision. He also marked generations of guitarists by showing that a solo doesn't need extreme speed to be memorable - just placement, taste and control of sound.
