Larry Carlton - S5 SSS LH Olympic White
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Lefthanded Electric Guitar
Sire Larry Carlton S5 SSS LH Olympic White
ARTICLE N° 122052
Features
Tremolo
Yes
Body shape
Double cut, ST-shape
Tuning machine
Standard tuners
Number of strings
6
Instrument size
Long scale (34")
Number of frets
22
Body Type
Solid body
Nut width
42,00 mm (1,654")
Neck material
Maple
Fingerboard material
Maple
Scale length
647,00 mm (25,47")
Top material
Alder
Pickup type
Passives
Fingerboard radius
241 mm (9,50")
Body material
Alder
Hardware color
Chrome
Electronic
Passive
Cutaway
Yes
Pickguard color
Tortoise
Left-handed instrument
Yes
Finish
Chrome
Pickup setup
SSS
Neck shape
C
Packaging
Single unit
Bridge material
Steel
Color
White
Assembly
Bolt-on neck
Artist
Larry Carlton
Other features
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Sire Larry Carlton S5 SSS LH
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Electric Guitar
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Series : S5 S Series
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Size: Sire Double-Cut Body
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String length: 647.7 mm
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Colour: 3 Tone Sunburst (3TS)
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Finish : Chrome
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Top: North American alder
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Sides: North American Alder
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Back: North American Alder
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Bridge: S7V 2-point bridge (steel block + bent steel bridges)
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Neck: Hard maple, C profile
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Fingerboard : Edgeless™ hard maple (rounded edges)
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Radius : 241,3 mm
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Number of frets: 22
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Frets types: Medium Jumbo
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Frets size : 2,7 mm
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Nut size: Bone - 42 mm
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Tuning: Standard Sire tuning
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Fittings finish: Chrome
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Pickup: Set Sire LC Super-V (SSS)
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Controls: 5-way switch, volume, tone (neck and middle), tone (bridge)
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Vintage double cut body
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Beginner to intermediate design
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Evolutionary platform for upgrades
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Natural bone nut
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Pickguard: Tortoiseshell (3TS)
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Sire Signature mechanics
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4-screw neck-to-body joint with steel plate
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String spacing: 10.8 mm
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Fingerboard radius 9.5 inches (classic flat)
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Emphasis on stability and ease of use
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Uniform chrome finish hardware
To find out more...
Larry Carlton was also a discreet pioneer of 'functional play' in the studio: instead of seeking a memorable solo at all costs, he sought above all to resolve a piece musically by reinforcing its harmonic and rhythmic structure.
He is known for his ability to adapt instantly to very different producers, moving from ultra-focused pop sessions to more open jazz contexts without altering his acoustic identity.
He is known for his ability to adapt instantly to very different producers, moving from ultra-focused pop sessions to more open jazz contexts without altering his acoustic identity.
