Larry Carlton - Q7 LH Metallic Green
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707,50 €
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Lefthanded Electric Guitar
Larry Carlton Q7 LH Metallic Green
ARTICLE N° 121946
Features
Body shape
Double cut
Type of tuners
Locking
Number of strings
6
Instrument size
4/4, standard
Number of frets
22
Body Type
Chambered
Nut width
43,00 mm (1,693")
Neck material
Mahogany
Fingerboard material
Ebony
Scale length
635,00 mm (25,00")
Top material
Mahogany
Pickup type
Passives
Fingerboard radius
254 mm (10,00")
Hardware color
Chrome
Electronic
Passive
Cutaway
Yes
Left-handed instrument
Yes
Artist
Larry Carlton
Pickup setup
HH
Packaging
Single unit
Color
Green
Other features
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Sire Larry Carlton Q7 LH
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Electric guitar
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Series : Q7
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Format: Sire Q Shape
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String length: 635 mm
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Colour : MGO (Metallic Gold)
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Top : Mahogany + solid maple
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Bridge : Wilkinson WVP-6SB
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Neck : Mahogany
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Fingerboard : Ebony Edgeless™ (rounded fret edges)
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Radius : 254 mm
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Number of frets: 22 frets
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Frets types: Medium Jumbo
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Frets size : 2.7 mm
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Nut: Bone nut, 43 mm
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Tuning mechanisms: Sire Premium Locking Tuners
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Fittings finish: Chrome (MGO)
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Pickup: LC Q humbucking pickup set (H-H)
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Controls: 5-position selector switch, volume, tone
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Original strings: DR Dragon Skin+ DEQ-10 bass strings
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Ultra-light double cutaway body
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Chambered body (hollowed / lightened)
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Easy access to high frets
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High output LC Q humbucker pickups
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Balanced tone with improved sustain
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5-position selector for a wide sound palette
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Wilkinson WVP-6SB vibrato with excellent tuning stability
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Smooth, accurate tremolo
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Bridge designed for modern stability
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Easy string change
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Gold Speed Knob
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Mother-of-pearl/abalone inlays Rounded rectangular blocks
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Lightweight, comfortable instrument
To find out more...
Larry Carlton recorded in the studio, often playing complete parts in one take, a common requirement of Los Angeles sessions in the 70s.
His solo on Kid Charlemagne is famous for being improvised from a single take of the final track, without any written preparation.
He was also one of the first studio guitarists to make tone shaping (volume + touch) more important than effects.
His solo on Kid Charlemagne is famous for being improvised from a single take of the final track, without any written preparation.
He was also one of the first studio guitarists to make tone shaping (volume + touch) more important than effects.
