Marcus Miller - V3 New Gen 5 Cordes LH Candy Apple Red
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465,83 €
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Guarantee 3
years
Lefthanded Bass
Sire Marcus Miller V3 New Gen 5 Strings LH Candy Apple Red
ARTICLE N° 122308
Features
Body shape
Type Jazz Bass
Tuning machine
Standard tuners, Open tuners
Number of strings
5
Instrument size
Long scale (34")
Body Type
Solid body
Nut width
46,00 mm (1,811")
Neck material
Maple
Fingerboard material
Rosewood
Scale length
863,00 mm (34,00")
Fingerboard radius
241 mm (9,50")
Body material
Mahogany
Hardware color
Chrome
Electronic
Active and passive
Cutaway
Yes
Bridge configuration
Fix
Pickguard color
Black
Left-handed instrument
Yes
Pickup setup
JJ
Neck shape
C
Packaging
Single unit
Color
Candy Apple Red
Assembly
Bolt-on neck
Artist
Marcus Miller
Other features
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Sire Marcus Miller V3 New Gen 5 Strings LH
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Electric bass
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Series : V3 New Gen
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Format: Jazz Bass (Marcus Miller Jazz type)
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Pitch: 863.6 mm
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Colour: Candy Apple Red
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Sides: Mahogany
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Back: Mahogany
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Bridge: Marcus Standard Bass Bridge with through-body string path
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Neck : Canadian Hard Maple with stained finish, C-profile
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Fingerboard : Rosewood with Edgeless™ (rounded edges)
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Radius: 241.3 mm
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Frets types : Medium
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Fretsize: 2.4 mm
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Nut: Natural bone, 46 mm wide
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Action: Standard open action
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Fittings finish: Chrome
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Pick-up: Marcus Standard J-Revolution Set
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Preamp: Sire Standard 2-band
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Controls: Volume / tone, balance pickups, treble, bass (push/pull passive mode)
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Mahogany body
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5-string configuration
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String spacing: 18 mm
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Pearlescent white dot markings
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Binding: none
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Black/white/black 3-ply pickguard
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Edgeless™ keys for improved comfort
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Optimised design for warmer, more expressive tone
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Updated aesthetics with tinted neck finish
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Alnico magnets for pickups (warmer, more dynamic tone)
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Quick access to usable sounds with simplified preamp
To find out more...
Larry Carlton was also one of the first session guitarists to be credited as an implied arranger: his parts often altered the balance of a song without changing the chords.
He is known for his precise use of triads and inversions on high strings, which densify the harmony without encroaching on the bass or keyboards.
He helped establish a studio standard: a guitar must be immediately usable in the mix, clear, dynamic and perfectly placed.
He is known for his precise use of triads and inversions on high strings, which densify the harmony without encroaching on the bass or keyboards.
He helped establish a studio standard: a guitar must be immediately usable in the mix, clear, dynamic and perfectly placed.
