Marcus Miller - V3P 5 Cordes LH Black Satin
New
532,50 €
excl VAT
In Stock
Usually ships within 3 days
+infos
Guarantee 3
years
Fred
Eric
Do you need help?
Lefthanded Bass
Sire Marcus Miller V3P 5 Strings LH Black Satin
ARTICLE N° 122356
Features
Body shape
Type Jazz Bass
Tuning machine
Standard tuners, Open tuners
Number of strings
5
Instrument size
Long scale (34")
Body Type
Solid body
Nut width
46,00 mm (1,811")
Neck material
Maple
Fingerboard material
Rosewood
Scale length
863,00 mm (34,00")
Pickup type
Passives
Fingerboard radius
241 mm (9,50")
Body material
Mahogany
Hardware color
Chrome
Electronic
Passive
Cutaway
Yes
Bridge configuration
Fix
Pickguard color
Black
Left-handed instrument
Yes
Pickup setup
JJ
Neck shape
C
Packaging
Single unit
Color
Black
Assembly
Bolt-on neck
Artist
Marcus Miller
Other features
-
Sire Marcus Miller V3P 5-String LH
-
Electric bass
-
Series : V
-
Format: Jazz Bass (Marcus Miller Jazz type)
-
Pitch: 863.6 mm
-
Colour : Black Satin
-
Bridge: Marcus Miller Standard bridge with through-body string path
-
Neck : Hard maple, C profile
-
Fingerboard : Rosewood with Edgeless™ rounded edges
-
Radius: 241.3 mm
-
Frets type : Medium
-
Frets size : 2,4 mm
-
Saddle: Bone, 46 mm
-
Action: Standard open action
-
Fittings finish: Chrome
-
Pick-up: Set Marcus Standard-J Revolution
-
Preamp: Passive (volume + tone)
-
Controls: Neck pickup volume, bridge pickup volume, overall tone
-
Mahogany body
-
5-string configuration
-
Simplified passive electronics
-
3-ply black/white/black pickguard
-
Neck mounting 4 steel plate screws
-
White mother-of-pearl dot inlays
-
18 mm string spacing
-
Black plastic Jazz-style buttons
-
Markers and hardware validated by Marcus Miller
-
Modern V Series Jazz Bass construction
To find out more...
Marcus Miller's playing also stands out for its use of silence and musical space. Unlike a purely technical or fast approach, he builds his bass lines with great attention to internal rhythm and musical breathing. This mastery of rhythmic placement gives his compositions a particular depth. He sees the bass not only as a rhythmic instrument, but also as a narrative element capable of guiding the emotion and structure of an entire piece.
