Prodipe - R.S.L.

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Ribbon Microphone

Prodipe R.S.L dual ribbon stereo microphone, The warm and natural sounds of the 50s and 60s

ARTICLE N° 27159
  • Prodipe R.S.L dual ribbon stereo microphone
  • Polarity: Bi-directional
  • Frequency response: 30-18kHz
  • Sensitivity: -50dB±3dB (0dB=1V/Pa at 1KHz)
  • Output impedance: 20Ω
  • Load impedance: 1000Ω
  • Own noise: 17dB A
  • Max Pressure SPL: 140Db (at 1kHz≤1% T.H.D)
  • Stereo and simultaneous sound recording.
  • The warm and natural sounds of the 50s and 60s (jazz, rock and roll and early pop).
  • The speed of response obtained thanks to the extreme lightness of the ribbon made from 2.8 micron thick aluminum.
  • Respect for the timbre of the instruments and the very natural restitution of their sound.
  • An ability to withstand very high sound levels: guitar amp at full blast for example.
  • Highs that are never aggressive: brass, metallic percussion, even with close-range sound recording.
  • A figure 8 directivity which allows you to capture the ambiance of the room from behind, and to almost perfectly isolate sources located on each side of the microphone.
  • Your ribbon microphone will particularly reveal its qualities on:
  • Electric guitar amplifiers
  • Drum overheads
  • Percussion
  • Brass and wood
  • Horn sections
  • Acoustic piano
  • Acoustic guitar
  • Strings (Solo)
  • String sections
  • Choirs and orchestras
  • Voice
The ribbon microphone is an old dream of a producer and sound engineer, which was unfortunately inaccessible due to its high price.



The R.S.L amazed me! When compared to the great legendary references of ribbon microphones, the R.S.L Prodipe offers similar performances. We find everything we expect from a ribbon microphone: softness, roundness, warm tones and the very natural reproduction of the instruments.



For example, on a guitar or any other acoustic instrument rich in harmonics, the R.S.L. restores to you with incredible precision the purity of the tone and the presence of the instrument.



The Prodipe R.S.L fills a critical gap in this type of microphone and, for the price, I think no studio or home studio can do without it! "





Influenced by the most famous jazzmen and jazz labels, Tony Match creates his own style through jazz, soul and breakbeat Jazz.

Since 1998 he has collaborated with voices and musicians such as Flora Purim (Miles Davis, Stan), Mozez (Zero7), Awsa Bergstrom (Nick Cave, London Gospel City Choir), Jean Baptiste Laya (Christian Escoudé), Dynamax, DB Cliff ord, the songwriter Beth Hirsch, Sol, Kaori Kaneko, Neelam… and through her commitment to the Nu Jazz scene.

Last production: RICHARD GALLIANO J.S BACH for Universal / Deutsche Grammophon - released April 2010

User's advice Ribbon Microphone
R.S.L. Prodipe

R.S.L. Prodipe
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1 User's advice

PATRICK L 11/12/2018
  4 /5
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