Schecter - Kenny Hickey C-1 EX S Steele Green LH
1 249,17 €
excl VAT
including eco-part : 0,90 €
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Lefthanded Electric Guitar
The Kenny Hickey C-1 EX S LH from Schecter is a left-handed guitar with a baritone scale, ideal for deep chords and heavy riffs. Its mahogany body promotes sustain and resonance. It combines a Sustainiac neck pickup for extended notes and a Seymour Duncan SH-4 JB bridge pickup for assertive rock and metal tones. The configuration includes a kill switch and a number of dedicated Sustainiac controls for dynamic, creative effects. Finished in Steele Green, it embodies the dark, powerful world of the guitarist.
ARTICLE N° 111936
Presentation
Schecter's Kenny Hickey C 1 EX S LH is for left-handed guitarists looking for depth of sound and extended control. Its mahogany body, combined with a three-piece glued neck of the same wood, promotes dense resonance and a balanced response, ideal for low tunings. The 26.5" scale provides the right tension for thick strings, enhancing the precision of baritone playing.
The rosewood fingerboard houses 24 X-Jumbo frets, providing comfortable space to navigate the entire register. Ultra Access facilitates high-frequency flights, opening up a wide range of melodic possibilities.
On the pickup side, the Seymour Duncan JB SH-4B bridge delivers clean, articulate attacks, while the Sustainiac neck extends notes in three distinct modes: fundamental, mix or harmonic. This configuration invites you to explore a wide range of sonic textures, from heavy riffs to airy solos.
Visually, the Steele Green finish, luminous green markers and black chrome hardware make for a singular aesthetic. This signature left-handed guitar embodies a combination of power, finesse and sonic freedom, designed to accompany your playing in both its darkest and most subtle nuances.
The rosewood fingerboard houses 24 X-Jumbo frets, providing comfortable space to navigate the entire register. Ultra Access facilitates high-frequency flights, opening up a wide range of melodic possibilities.
On the pickup side, the Seymour Duncan JB SH-4B bridge delivers clean, articulate attacks, while the Sustainiac neck extends notes in three distinct modes: fundamental, mix or harmonic. This configuration invites you to explore a wide range of sonic textures, from heavy riffs to airy solos.
Visually, the Steele Green finish, luminous green markers and black chrome hardware make for a singular aesthetic. This signature left-handed guitar embodies a combination of power, finesse and sonic freedom, designed to accompany your playing in both its darkest and most subtle nuances.
Features
Number of strings
6
Number of frets
24
Nut width
42,00 mm (1,654")
Neck material
Mahogany
Fingerboard material
Rosewood
Scale length
673,00 mm (26,50")
Fingerboard radius
355 mm (14,00")
Body material
Mahogany
Hardware color
Black chrome
Cutaway
Yes
Bridge configuration
Strings-Through-Body, Tune-O-Matic
Left-handed instrument
Yes
Pickup setup
HS
Neck shape
Slim C
Color
Green
Assembly
Set neck
Other features
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Schecter Kenny Hickey C-1 EX S Steele Green LH
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6-string left electric guitar
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Neck: 3-piece mahogany
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Body : Mahogany
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Fingerboard : Rosewood
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Neck type : Glued with Ultra Access
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Shape : Thin "C
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Saddle width : 42 mm
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Thickness at 12th fret: 0.866" (22 mm)
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Fingerboard radius: 14" (355 mm)
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Frets: 24 X-Jumbo
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Fork: 26.5" (673 mm)
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Markers: Green blocks
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Colour: Steele Green
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Fittings: Black chrome
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Bridge: TonePros T3BT TOM with through strings
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Tuners: Grover
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Bridge pickups: Seymour Duncan JB SH-4B
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Neck pickup: Sustainiac
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Controls: Volume/Tone/3-way selector (pickup)/KILL selector/Sustainiac 2-way on/off selector/Sustainiac 3-way mode selector (Fundamental-Mix-Harmonic)
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Strings: Ernie Ball Baritone Not Even Slinky #2626 (.012-.056)
To find out more...
Kenny Hickey, guitarist with Type O Negative, is known for playing green guitars, in homage to the band's dark, ironic visual style. He has long used Fernandes guitars, often modified to suit his ultra-low tuning. As well as music, he has a weakness for horror films, an influence that is reflected in the mood of his compositions.
