SX2442FX EURODESK Behringer
Analogue Mixing Desk

Mixer 24 channels, 16 inputs Monos, Ideal for Studio, Scene, a great success

ARTICLE N° 20906
  • Mixer 16 Inputs
  • Ideal for Studio and Stage
  • 16 XENYX preamps microphones.
  • Equalizer "British EQ" neo-classic 3-band, semi-parametric midrange that.
  • 4 bus outputs and additional mono output, low pass filter.
  • 2 multi-effects including 24-bit reverb, chorus, flanger, delay, pitch shifter and combinations.
  • 9-band graphic equalizer.
  • Anti-feedback filter FBQ.
  • Peak LEDs, Mute, Main, switch subgroups, Solo and PFL per channel.
  • 2 stereo channels with 4-band EQ, two additional stereo inputs with volume control and auxiliary pre-fader.
  • Inserts for mono channel and main mix.
  • 4 auxiliary sends per channel: 2 pre / post fader assignable for monitoring or effects, 2 post fader for internal and external shipments effects.
  • Main output symmetrical 1/4 "and XLR gold-plated connectors.
  • Independent control for Control Room, helmet and magneto.
  • Function Solo-in-place and pre-fader listen.
  • Talkback section.
  • Sliders of 60 mm long and sealed rotary.
  • Internal Power Switch (100-240 V~)
The reputation of the Eurodesk series is second to none. This series of consoles designed for studio and for the stage has long been engraved acclaim.
Number of ways
 18
Micro input
 16
Instrument input
 No
Line input
 20
Stereo line input
 4
Output channels
 2
Master output
 XLR, Jack TS 6.35 mm
Record output
 No
USB port
 No
AUX sends
 4
FX Sends / Returns
 Yes
EQ
 4 bands
Effects
 2 multi-FX processors, Yes
Audio interface
 No
Multitrack recording
 No
Recording medium
 No
Connection for lamp
 No
Groups
 Yes
19" rack
 No
Power supply
 Power adapter (included)
The reputation of the Eurodesk series is second to none. This series of consoles designed for studio and for the stage has long been engraved acclaim. The uncompromising quality of these consoles has quickly attracted many musicians and sound engineers. Taking advantage of the most advanced technologies Behringer, these consoles offer more than ever a quality / price inégalable.Console 24 analog channels.



    * Premium ultra-low noise, high-headroom analog mixer
    * 16 state-of-the-art XENYX Mic Preamps
    * Neo-classic "British" 3-band EQs with semi-parametric mid-band
    * 4 bus outputs and additional Mono output with sweepable Low Pass filter for subwoofer Application
    * 2 independent 24-bit stereo FX studio-grade processors with 99 presets Including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
    * 9-band stereo graphic EQ Allows precise frequency adjustment of monitor mixes hand gold
    * FBQ Feedback Detection system Reveals critical frequencies Instantly
    * Peak LEDs, Mute, Main mix and subgroup routing switches, Solo and PFL functions are all channels
    * Standby switch mutes all channels During breaks while background music is Provided via CD / tape inputs
    * 2 stereo input channels with 4-band EQ plus 2 additional stereo input channels with Level and pre-fader Aux controls
    * Each mono channel it inserts and hand mix for connection of outboard equipment
    * 4 Aux Sends per channel: 2 pre / post fader switchable for monitoring / FX applications, 2 post fader (for internal FX or as external send)
    * Balanced Main mix outputs with 1/4 "jack and gold-plated XLR connectors, separate Control room, Headphone and stereo Tape outputs
    * Solo-In-Place and Pre-Fader-Listen functions plus full-featured Talkback section
    * Long-wearing 60 mm logarithmic-taper faders and sealed rotary controls
    * Internal autorange power supply for maximum flexibility (100 - 240 V ~), noise-free audio, superior transient response plus low power consumption for energy saving
    * High-quality components and rugged build Ensure Exceptionally long life
    * Conceived and designed by BEHRINGER Germany

BEHRINGER EURODESK SX2442FX FeatureThe new XENYX Mic Preamp matches the sound quality, transparency, headroom and dynamic range of Even the boutique style, stand-alone mic preamps.
 

BEHRINGER EURODESK SX2442FX FeatureOur neo-classic "British EQ" Brings back the warmth and musicality Of Those '60s and' 70s mega-console desks That made music history.
 

BEHRINGER EURODESK SX2442FX FeatureThe XENYX FX mixers Incorporate a new 24-bit studio-grade FX processor. Get 99 real-world and awesome effect presets at your fingertips.
 

If you want classic analog handling purposes can not skimp is superior digital effects and studio-grade mic preamps, the SX2442FX is your new best friend. This mixer's 16 mic inputs, eight stereo inputs and 4 nozzles give you enough leeway to handle anything from a graduation speech to a small orchestra.
Classic Control, sound state-of-the-art

Each of the SX2442FX's 16 mic inputs connects to our world-famous, studio-grade mic preamps XENYX. They are legendary for Their high headroom, warm natural timbre and utter Lack of background noise. Plug in a wide-diaphragm condenser mic and a vocal track to hear XENYX's rich detail and spaciousness. Plug in a dynamic mic and stick it inside a bass drum to appreciate the whopping headroom.
May you experience side-FX ...

Whether you need to add a dab of reverb or delay to a live vocalist's mic or warp a hard day's studio session into psychedelic quicksand, the HAS SX2442FX you covered. We gave this mixer two independent studiograde 24-bit stereo FX processors with 99 awesome presets to Provide the perfect sonic garnish. "Sure they're great for live sound, aim I have a lot of cool plug-ins for recording," we can hear Saying Reviews some of you. Truth be told, you never-have too many effects. And when to hear the quality you of the SX2442FX's FX, you May want to give your overworked CPU a rest.

Naturally we gave you a whole range of creative effects like reverb, chorus, flanger, delay and pitch shifter tones, as well as mind-bending multi-effects to take your sound out of this world. Aussi goal you get problem solving workhorses like compression and gating plus final effects Such As Ultramizer, Ultrabass and Exciter That can put a PA or studio mix over the top. And Because There Are two processors, you can cue two separate effects, Then apply one or Both to channels 1 through 20 - compression for the vocalist, reverb for the vocalist and snare drum, for example.
What the heck is "British EQ"?

A good thing to-have it your side When You start reaching for Those channel equalization knobs. At a live concert or in the studio.

Think of it as kinder, gentler, more musical EQ like the kind we found classic British consoles from the 60's and 70's. Single malt scotch INSTEAD of Everclear. Home-baked cherry cobbler INSTEAD of an artificial cherry lollypop. British EQ's distinct configuration of WIDER curves / lower Q and harmonic characteristics Phase Allows you to add or subtract EQ Generously more than you can with conventional EQ circuitry designs. When you add low midrange, you get a Firmer sound INSTEAD of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair INSTEAD of turning muffled.

All SX2442FX mono channels-have low and high shelving plus a sweepable "midrange" you can move anywhere from 100Hz to 8kHz. Think of it as your roving troubleshooter English.
Kill feedback before it maims your hearing.

When it comes to suppressing feedback, the SX2442FX is like having a bloodhound trained to spot trouble frequencies a mile away.

The band graphic EQ 9-(qui you can choose to apply to your mix or monitor mix via the hand MAIN / AUX1 button) features the FBQ Feedback Detection system. It Makes finding and adjusting critical frequencies a snap. Just push FBQ IN, Then watch as LEDs on the individual EQ sliders light up, indicating indication qui frequency bands are Causing feedback. Simply adjust LED goes up to the Sun.
The Ins and Outs

Some manufacturers make what They Call 24-input mixers That count stuff like CD / TAPE IN as an input. Goal Gives You the SX2442FX really honest sixteen mono channels plus eight stereo channels, making it easy to Accommodate a variety of studio or live performance configurations. You can connect up to 16 microphones or mono --other instruments and up to four stereo instruments (keyboards or tone modules, for example).

You can input combines thesis in four different sub-mixes (we call em nozzles). That Allows you to blend multiple channels-say all the mics were drum kit or all the backup singers' mics-to a single fader, qui est Easier To adjust for the overall mix That goes to the PA speakers. You can use one or more aussi of the sub-mix nozzles to create custom monitor mixes for picky members of your band ("More me! More me!").
A zillion ways to change the channel

At the top of Each mono channel, you'll find Both balanced XLR input with a XENYX mic preamp and has a 1/4 "input. A phantom power switch on the back Located near the main power switch accommodates condenser mics.

Next comes is an insert for connecting up individual signal processors or feeding a remote broadcast feed or multitrack recorder directly.

Trim control and level set LED let you adjust the channel's input level for maximum headroom and minimal noise - the huge ranks of this control can handle anything from a very timid vocalist to a close-miked guitar amp stack.

Each mono channel features a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED. A Low Cut button Eliminates the unwanted frequencies Where Infrasonics Such As mic handling, P-pops or wind noise Occur.

FX1 and FX2 dials add a blend of up to two effects, and AUX1 and AUX2 dials help create your monitor mix. Press the PRE button to send a raw, EQ-free signal to the monitors.

Near every mono channel's fader you'll find a 1-2, 3-4 and MAIN button. By Engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel Becomes share of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. La même principle Applies to the 3-4 button.

A Mute button with LED Accompanying cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button is individual channels routes the subgroup signal to the solo bus or Pre-Fader Listen, Depending On whether the signal has-been included in a subgroup.

Instead of XLR inputs, stereo channels 17-24-have left and right balanced / unbalanced line level inputs. Channels 17-20 feature the Sami controls as the mono channels, with a goal four-band EQ That Gives you control of HIGH, HIGH MID, LOW MID and LOW. This is Especially Useful for the critical midrange frequency EQ'ing happy found in keyboard signals. Stereo channels 21 through 24, designed for signals That do not require EQ-have a simplified interface Consisting of a Level, AUX1 and AUX2 dial. Can you say laptop backing track feeds, drum machines, tone modules, DJ mixers or CD players?

Finally, all four sub-mix nozzles feature an independent fader (naturally) Solo switch with LED bright, and assign buttons for routing em to Left or Right stereo channels.
Packed with tasty details That Make Life Easier your creative.

    *

      We solved the problem of what to do When You want to play music During breaks purpose do not want to-have to mute every channel or turn down every fader. Just push CD / Tape STANDBY button to A) mute all mixer channels and B) just your solo CD / tape source.
    *

      About did not we just give you a MONO output for subwoofer. We gave it a built-in variable low pass crossover, saving you money we outboard gear.
    *

      We added a footswitch jack That You can use to control internal or external Either effects.
    *

      We gave you a full Phones and Control Room assignment matrix so you can send hands, nozzles, CD / tape gold Auxes out at the touch of a button.
    *

      We added a button to Talkback routing so you can talk directly to a monitor mix gold Either the house mix for public announcements.
    *

      We made the 9 band equalizer assignable to AUX Either 1 or the main mix.

Take On The World

Not every town on the planet uses the Sami common voltage in yours. Unfortunately, this Sometimes Does not Occur to jet-setting sound technicians they're up to 5,000 miles from home. With the SX2442FX, this is never an issue. The internal autorange power supply can run it anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption.
Buy it now. Teach your great grandkids how to run it.

BEHRINGER mixers last and last. We use top quality Such shares have Longwear faders, sealed rotary controls and premium boards circuit. We-have 20 years of experience figuring out how to Compensate for clumsy load-ins, spilled drinks, crazed guitarists and millions of road miles. The result is a mixer you can count on day after day and night after-night.
Why do you need this mix?

• Built-in mic preamps pristine XENYX

• Dual 24-bit FX processor with 99 presets Including reverb, chorus, flanger, delay and pitch shifter tones

• British-style EQ dials give you the sound and control preferred by top studio engineers

• The built-in FBQ Feedback Detection system Reveals critical frequencies Instantly and the 9 band stereo graphic EQ-Allows precise adjustment Of Those frequencies in hand or monitor mixes

• Awesomely full I / O - everything from bus inserts to mono output

User's advice Analogue Mixing Desk
SX2442FX EURODESK Behringer

SX2442FX EURODESK Behringer
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DEVINCEY D 26/11/2021
  5 /5
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formidable je peut recommander cet article
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CHRISTIAN N 22/12/2017
  5 /5
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Produit super,pratique et facile d'utilisation. Avec cette marque on ne peut être déçu.
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FRANCK G 24/03/2016
  5 /5
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Adapté et bon rapport caractéristiques/prix
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LAURENT M 15/03/2016
  5 /5
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bon matériel rapport qualité prix très bien pour un orchestre en live !!!
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