Larry Carlton - J3 LH Silver
New
474,17 €
excl VAT
Out of stock
Guarantee 3
years
Fred
Eric
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Lefthanded Electric Guitar
Sire Larry Carlton J3 LH Silver
ARTICLE N° 121923
Features
Body shape
Offset
Tuning machine
Standard tuners, Die cast
Number of strings
6
Instrument size
4/4, standard
Number of frets
22
Body Type
Solid body
Nut width
42,00 mm (1,654")
Neck material
Maple
Fingerboard material
Rosewood
Scale length
647,00 mm (25,47")
Pickup type
Passives
Fingerboard radius
241 mm (9,50")
Body material
Mahogany
Hardware color
Chrome
Electronic
Passive
Cutaway
Yes
Pickguard color
Black
Left-handed instrument
Yes
Pickup setup
S
Packaging
Single unit
Color
Grey
Assembly
Bolt-on neck
Artist
Larry Carlton
Other features
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Sire Larry Carlton J3 LH
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Electric guitar
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Series : J3
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Format: Sire JM Shape
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Pitch : 647.7 mm
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Colour: Blue
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Bridge: Standard Sire 2-point vibrato bridge
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Neck : Hard Maple
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Fingerboard : Edgeless™ rosewood (rounded fret edges)
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Radius : 241.3 mm
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Number of frets : 22 frets
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Frets types: Medium Jumbo
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Frets size : 2.7 mm
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Nut: Bone nut, 42 mm wide
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Tuning mechanisms: Standard diecast tuning mechanisms
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Fittings finish: Chrome
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Pick-up: LC Standard JM single-coil pick-up set
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Controls: 3-position selector, volume, tone
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Mahogany body
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Body shape: Sire JM traditional offset
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Classic vintage-style electronic configuration
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High output single coil pickup
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Neck plate: 4 screw steel
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Neck joint: screwed (4 bolts steel plate)
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Sire standard 2-point vibrato bridge
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String spacing: 10.8 mm
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White Strat knobs (Strato knob)
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Pickguard: Mint Green
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Bone nut
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Inspired by traditional offset guitars
To find out more...
Larry Carlton left his mark on the history of studio playing by contributing to the rise of 'LA session sound', where musicians had to be able to record perfect takes quickly, often in one or two passes.
Early on, he also developed a hybrid approach between jazz and pop: using enriched chords (9th, 13th), but in simple, accessible structures, which made his style highly adaptable for television, cinema and mainstream albums.
Another important point: for a long time he taught indirectly through his solo albums and clinics, influencing a whole generation of guitarists who learned to work on sound, dynamics and feel rather than pure speed.
Early on, he also developed a hybrid approach between jazz and pop: using enriched chords (9th, 13th), but in simple, accessible structures, which made his style highly adaptable for television, cinema and mainstream albums.
Another important point: for a long time he taught indirectly through his solo albums and clinics, influencing a whole generation of guitarists who learned to work on sound, dynamics and feel rather than pure speed.
