Larry Carlton - J5 LH Champagne Gold Metallic
New
615,83 €
excl VAT
Out of stock
Guarantee 3
years
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Eric
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Lefthanded Electric Guitar
Sire Larry Carlton J5 LH Champagne Gold Metallic
ARTICLE N° 121927
Features
Body shape
Offset
Tuning machine
Locking
Number of strings
6
Instrument size
4/4, standard
Number of frets
22
Body Type
Solid body
Nut width
42,00 mm (1,654")
Neck material
Maple
Fingerboard material
Ebony
Scale length
647,00 mm (25,47")
Pickup type
Passives
Fingerboard radius
241 mm (9,50")
Body material
Alder
Hardware color
Chrome
Electronic
Passive
Cutaway
Yes
Pickguard color
Tortoise
Left-handed instrument
Yes
Pickup setup
S
Packaging
Single unit
Color
Champagne, Golden
Assembly
Bolt-on neck
Artist
Larry Carlton
Other features
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Sire Larry Carlton J5 LH
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Electric guitar
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Series : J5
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Format: Sire JM Shape
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Pitch : 647.7 mm
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Colour: 3 Tone Sunburst (3TS)
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Bridge: Göldo/Sire "Vintage" JM-Type Bridge & DG Tremolo
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Neck : Hard Maple
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Fingerboard: Ebony Edgeless™ (rounded fret edges)
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Radius : 241.3 mm
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Number of frets : 22 frets
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Frets types: Medium Jumbo
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Frets size : 2.7 mm
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Saddle: Bone saddle, 42 mm
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Fittings: Sire Premium Locking Fittings
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Fittings finish: Chrome
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Pickup: LC Vintage JM pickup set
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Controls: 3-position selector switch, volume, tone
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North American alder body
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Body shape: Sire JM offset
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Vintage Jazzmaster electronic configuration
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High output single coil pickups
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4-screw steel neck plate (neck joint)
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Four bolt steel plate neck joint
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Vintage-style bridge and vibrato system
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String spacing: 11.1 mm
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Stratocaster-style white buttons
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Pickguard: Tortoiseshell (3TS)
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Premium locking action
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60s Jazzmaster vintage-style instrument
To find out more...
Larry Carlton was one of the pillars of the famous Wrecking Crew and the Los Angeles sessions, where precision and sight-reading were essential. His highly expressive playing on Steely Dan's Kid Charlemagne redefined the idea of the narrative solo in the studio.
He is also credited with popularising a warm clean sound achieved mainly by touch and a slight amp overdrive, which has become a benchmark of modern jazz fusion.
He is also credited with popularising a warm clean sound achieved mainly by touch and a slight amp overdrive, which has become a benchmark of modern jazz fusion.
