Larry Carlton - S7 New Gen LH Metallic Gold
707,50 €
excl VAT
In Stock
Usually ships within 3 days
+infos
Guarantee 3
years
Sire Larry Carlton S7 New Gen LH Metallic Gold
ARTICLE N° 122047
Features
Tremolo
Yes
Body shape
ST-shape, Double cut
Tuning machine
Locking
Instrument size
Long scale (34")
Number of frets
22
Body Type
Solid body
Nut width
42,00 mm (1,654")
Neck material
Maple
Fingerboard material
Rosewood
Scale length
647,00 mm (25,47")
Top material
Alder
Pickup type
Passives
Fingerboard radius
241/335,6 mm (9,5/14")
Body material
Alder
Hardware color
Chrome
Electronic
Passive
Cutaway
Yes
Pickguard color
Black
Left-handed instrument
Yes
Pickup setup
SSS
Neck shape
C
Color
Golden
Assembly
Bolt-on neck
Artist
Larry Carlton
Packaging
Single unit
Number of strings
6
Other features
-
Sire Larry Carlton S7 New Gen LH
-
Electric guitar
-
Series : S7
-
Size: Sire Double-Cut Body
-
String length: 647.7 mm
-
Colour : White (WH)
-
Body : North American Alder
-
Sides : North American Alder
-
Back: North American Alder
-
Bridge: Vibrato Sire Modern (2 pivot points)
-
Neck: Flamed Maple, C-profile
-
Fingerboard : Rosewood with Edgeless™ (rounded edges)
-
Radius : 241,3 - 355,6 mm (compound radius)
-
Number of frets: 22
-
Frets types: Medium Jumbo stainless steel
-
Frets size : 2,7 mm
-
Nut: Graphtech Tusq XL - 42 mm
-
Tuning: Sire Premium self-locking tuners
-
Fittings finish: Chrome
-
Pick-up: Set Sire LC Super SSS (SSS)
-
Controls: 5-position selector, volume, tone
-
Original strings: DR Dragon Skin+ DEQ-10
-
Left-handed configuration (LH)
-
Luminlay key markers (luminous dots)
-
4-screw neck joint with steel plate
-
String spacing: 10.8 mm
-
Mint green pickguard (TP version)
-
Aluminium pickguard included in the package
-
Premium locking mechanisms
-
Improved performance and durability (New Gen)
-
Graphtech Tusq XL nut
-
Sire ergonomic double cut body
To find out more...
Larry Carlton is also famous for having imposed a simple idea that is still widely used today in the studio: a guitar doesn't have to be "full" to be effective. He often favoured short, spaced-out phrases that let the arrangement breathe.
In the Los Angeles sessions, he was also sought after for his ability to immediately find the guitar hook for a track, sometimes completely reorganising the existing part in a matter of minutes.
His influence can still be seen in the playing of modern fusion and sophisticated pop guitarists, who echo his sense of rhythmic placement and expressive restraint.
In the Los Angeles sessions, he was also sought after for his ability to immediately find the guitar hook for a track, sometimes completely reorganising the existing part in a matter of minutes.
His influence can still be seen in the playing of modern fusion and sophisticated pop guitarists, who echo his sense of rhythmic placement and expressive restraint.