Larry Carlton - L3 HH LH Black Satin
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524,17 €
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Lefthanded Electric Guitar
Sire Larry Carlton L3 HH LH Black Satin
ARTICLE N° 121910
Features
Body shape
LP-Style
Type of tuners
Die cast, Standard tuners
Number of strings
6
Instrument size
4/4, standard
Number of frets
22
Nut width
43,00 mm (1,693")
Neck material
Mahogany
Fingerboard material
Rosewood
Scale length
628,65 mm (24,75")
Pickup type
Passives
Fingerboard radius
304 mm (11,968")
Body material
Mahogany
Hardware color
Chrome
Electronic
Passive
Cutaway
Yes
Bridge configuration
wraparound
Pickguard color
Black
Left-handed instrument
Yes
Artist
Larry Carlton
Pickup setup
HH
Packaging
Single unit
Bridge shape
Wraparound
Color
Black
Assembly
Set neck
Other features
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Sire Larry Carlton L3 HH LH
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Electric guitar
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Series: L3
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Format: Sire L Junior Shape
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Fork : 628.65 mm
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Colour: Surf Green Metallic (SGM)
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Bridge : Wraparound bridge
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Neck : Mahogany
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Fingerboard : Edgeless™ rosewood (rounded fret edges)
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Radius : 304.8 mm
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Number of frets : 22 frets
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Frets types : Medium Jumbo
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Frets size : 2.7 mm
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Nut: Bone nut, width 43 mm
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Tuning mechanisms: Standard diecast tuning mechanisms
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Fittings finish: Chrome
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Pickups: Set of LC Standard humbuckers (H-H)
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Controls: 3-position toggle switch
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Mahogany body
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Pickup configuration: H-H (double humbucker)
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Saddle width: 43 mm
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String spacing : 10.5 mm
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Wraparound bridge
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Hardware finish: Chrome
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Pickguard : Black 3PLY (SMG)
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Left-handed instrument (LH)
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50s-inspired design
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Glued neck
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Inlay : White Pearloid Dot
To find out more...
Larry Carlton is not just a classic guitar hero: he redefined the role of the studio guitarist in Los Angeles in the 70s by imposing a simple but radical idea at the time - play less, but better.
His highly identifiable sound comes above all from a conscious choice: he pushes an amp almost to light saturation, then controls everything with his fingers rather than with effects. The result is extremely dynamic playing, where the nuance of each attack completely changes the emotion.
Another striking detail: he has managed to be respected in jazz (for his harmonic sophistication), rock (for his iconic solos) and pop (for his studio precision), which is rare at this level - few guitarists have really crossed these worlds without 'losing themselves' stylistically.
His highly identifiable sound comes above all from a conscious choice: he pushes an amp almost to light saturation, then controls everything with his fingers rather than with effects. The result is extremely dynamic playing, where the nuance of each attack completely changes the emotion.
Another striking detail: he has managed to be respected in jazz (for his harmonic sophistication), rock (for his iconic solos) and pop (for his studio precision), which is rare at this level - few guitarists have really crossed these worlds without 'losing themselves' stylistically.
