Larry Carlton - T7 New Gen LH White
New
707,50 €
excl VAT
Out of stock
Guarantee 3
years
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Eric
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Lefthanded Electric Guitar
Sire Larry Carlton T7 New Gen LH White
ARTICLE N° 121988
Features
Body shape
T-shape
Tuning machine
Locking
Number of strings
6
Instrument size
4/4, standard
Number of frets
22
Body Type
Solid body
Nut width
42,00 mm (1,654")
Neck material
Maple
Fingerboard material
Maple
Scale length
647,00 mm (25,47")
Top material
Alder
Pickup type
Passives
Fingerboard radius
241/335,6 mm (9,5/14")
Body material
Alder
Hardware color
Chrome
Electronic
Passive
Cutaway
Yes
Bridge configuration
Vintage
Pickguard color
Mint Green
Left-handed instrument
Yes
Pickup setup
SS
Neck shape
C
Packaging
Single unit
Bridge material
Brass
Bridge shape
Vintage
Color
White
Assembly
Bolt-on neck
Artist
Larry Carlton
Other features
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Sire Larry Carlton T7 New Gen LH
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Electric guitar
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Series : T7
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Format: T-Style
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String length: 647.7 mm
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Colour : 3 Tone Sunburst (3TS)
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Top : North American Alder
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Bridge : Vintage T-style bridge (brass saddle)
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Neck : Hard maple, C profile
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Fingerboard : Edgeless™ hard maple (rounded fret edges)
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Radius : 241.3 - 355.6 mm
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Number of frets: 22
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Frets types: Medium Jumbo
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Fretsize: 2.7 mm
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Nut: GraphTech Tusq XL, 42 mm wide
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Tuners: Sire Premium locking tuners
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Fittings finish: Chrome
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Pickup: LC Super-T pickups (set of 2 single coils)
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Controls: 3-position selector, volume, tone
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Original strings: DR Dragon Skin+ DEQ-10 electric guitar strings
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North American alder body
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Modern T-Style configuration
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Larry Carlton signature pickups (enhanced versatile T sound)
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Stainless steel frets
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Luminlay dot fingerboard markers (side lights)
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4-bolt neck joint with steel plate
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Luminlay dot fingerboard inlays
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Passive electronics configuration
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Two pickguards included: PVC (classic style) + aluminium (modern style)
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Mint green main pickguard (3TS)
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String spacing: 10.8 mm
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Chrome finish hardware
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Designed for comfort and modern playing versatility
To find out more...
Larry Carlton is also renowned for having developed a very 'cinematic' approach to guitar playing: he often constructs his phrases like scenes, with an build-up, a climax and a resolution, rather than a simple sequence of licks.
He has also influenced the way producers use the guitar in the studio: no longer as the central solo instrument, but as a narrative layer in dialogue with the vocals and keyboards.
Finally, his work remains a classic example of the mastery of musical silence - the space between notes is as much a part of his language as the notes themselves.
He has also influenced the way producers use the guitar in the studio: no longer as the central solo instrument, but as a narrative layer in dialogue with the vocals and keyboards.
Finally, his work remains a classic example of the mastery of musical silence - the space between notes is as much a part of his language as the notes themselves.
