Larry Carlton - L7 New Gen LH Black
707,50 €
excl VAT
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Guarantee 3
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Sire Larry Carlton L7 New Gen LH Black
ARTICLE N° 122040
Features
Body shape
LP-Style, Single Cut
Tuning machine
Locking
Instrument size
Short scale (<34")
Number of frets
22
Body Type
Solid body
Nut width
43,00 mm (1,693")
Neck material
Mahogany
Fingerboard material
Ebony
Scale length
628,65 mm (24,75")
Top material
Flame
Pickup type
Passives
Fingerboard radius
304 mm (11,968")
Hardware color
Gold
Electronic
Passive
Cutaway
Yes
Bridge configuration
Tune-O-Matic
Pickguard color
Cream
Left-handed instrument
Yes
Finish
Chrome
Pickup setup
HH
Neck shape
C
Bridge shape
Tune-O-Matic
Color
Black
Assembly
Bolt-on neck
Artist
Larry Carlton
Packaging
Single unit
Number of strings
6
Other features
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Sire Larry Carlton L7 New Gen LH
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Electric guitar
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Series : L7
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Size : Double pan cut type L (Sire L Shape)
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String length: 628.65 mm
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Colour : Black (BK)
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Finish : Gold
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Top : Flamed maple on mahogany body
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Bridge: Tune-O-Matic Sire Modern + aluminium stop tailpiece
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Neck : Mahogany, C profile
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Fingerboard : Ebony Edgeless™ (rounded fret edges)
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Radius: 304.8 mm
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Number of frets : 22
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Frets types: Medium Jumbo stainless steel
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Frets size : 2,7 mm
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Nut: Graphtech Tusq XL - 43 mm
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Tuning machines: Premium self-locking tuning machines
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Fittings finish: Gold
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Pickups: LC Vintage-2 Humbucker (H-H) pickup set
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Controls: 3-position selector, 2 volumes, 2 tones (push/pull coil split)
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Luminlay side markers (luminous dots)
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New Gen neck with improved comfort
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Pickguard: ivory
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New Gen" label on pickguard
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Easy access for modern play
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Double humbucker configuration (H-H)
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Suitable for a variety of playing styles
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Premium locking action for tuning stability
To find out more...
Larry Carlton left his mark on the 70s by becoming one of the pillars of the Los Angeles sessions, playing on the productions of numerous pop, rock and jazz artists without always being credited at the time.
He also built much of his reputation on his ability to improvise entire parts in a single take, relying on rapid harmonic reading and a keen ear for other musicians.
His solo on Steely Dan's Kid Charlemagne has become a textbook case for guitarists, often studied for its balance between rhythmic precision and musical narrative.
He also built much of his reputation on his ability to improvise entire parts in a single take, relying on rapid harmonic reading and a keen ear for other musicians.
His solo on Steely Dan's Kid Charlemagne has become a textbook case for guitarists, often studied for its balance between rhythmic precision and musical narrative.
