Line 6 - Spider Jam

The Spider Jam ™ offers the sounds that made the reputation of the Spider III amplifiers: over 200 presets programmed by
artists, over 150 presets based on famous pieces and 12 Line 6 amp models fully customizable.
Like most of you, the Line 6 amp modeling to provide a clear side and a dark side ... Or in some cases, a dark side and a dark side ... more
Red LED:
Clean
Detailed, rich and surprisingly clean tones perfect for jazz.
Twang
Modeling offering crystalline and brilliant treble with a good dose bite. * It is based on a Fender Blackface Twin from 1965 and Reverb Blackface Deluxe Reverb 1964.
Blues:
This model offers clear sounds from raw to soft and marshy and syrupy, with a slight saturation. * It is based on a combination of a Marshall® JTM-45 1965, a Bassman® Fender 1958, a Fender Vibroverb 1963 and a Supro®.
Crunch:
The popping sound made famous by the first groups of Heavy Metal. This modeling is based on a Marshall® Plexi 50 Watt in 1968.
Metal:
An accurate and powerful sound at high gain. This model is based on * a Mesa / Boogie Dual Rectifier.
Insane:
This modeling allows to erect a wall of his crushing of extreme brutality. * It is based on the overdrive channel of a Mesa / Boogie Dual Rectifier.
Green LED:
Clean:
Clear sounds of the late 60s and early 70s This model is inspired by * a Hiwatt Custom 100 1973.
Twang:
Rockabilly sound of hell reminiscent of vintage Tweed amps. This model is based on * a Fender Tweed Deluxe Reverb 1953 Fender Tweed Bassman a 1958 and a 1960 Gibson Explorer.
Blues:
The sound British Pop Rock became famous thanks to the Beatles and the Stones. This modeling is based on a Vox AC-30 Vintage amp equipped with a sophisticated equalization circuit.
Crunch:
The famous "brown sound" inspired by * a Marshall Plexi 100 watt 1968 with some modifications: a Variac and paired input channels.
Metal:
A sound very aggressive high gain. The Mid button to exploit the full sonic palette: set it at least to recreate the sound of a Fuzz pedal, the center position for a rich sound reminiscent of modern high-gain amps, or to deliver maximum saturation of amplifiers operating in Class A.
Insane:
This modeling provides an input gain so powerful that it touches the melting point of the amp. You get a massive dose of distortion, without the sound losing its definition, nor his character.