Marcus Miller - M2 4 Cordes LH Transparent Blue
New
390,83 €
excl VAT
Out of stock
Guarantee 3
years
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Eric
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Lefthanded Bass
Sire Larry Carlton M2 4 Strings LH Transparent Blue
ARTICLE N° 122177
Features
Tuning machine
Standard tuners
Number of strings
4
Instrument size
Long scale (34")
Number of frets
24
Body Type
Solid body
Neck material
Maple
Fingerboard material
Maple
Scale length
863,00 mm (34,00")
Fingerboard radius
304 mm (11,968")
Body material
Mahogany
Hardware color
Black
Electronic
Active and passive
Cutaway
Yes
Left-handed instrument
Yes
Pickup setup
HH
Neck shape
C
Packaging
Single unit
Color
Transparent, Blue
Assembly
Bolt-on neck
Artist
Marcus Miller
Other features
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Sire Marcus Miller M2 4 strings LH
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Electric bass
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Series : M2
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Format: Modern bass style
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Pitch: 863.6 mm
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Colour: White Pearl (WHP)
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Bridge: Marcus Standard Bass bridge with through-body string option
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Neck : C-Profile Canadian Hard Maple
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Fingerboard : Rosewood with Edgeless™ rounded fret edges
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Radius: 304.8 mm
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Number of frets : 24
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Frets types: Medium
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Saddle: PPS TUSQ black, width 38 mm
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Tuning mechanisms: Basic die-cast tuning mechanisms
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Fittings finish: Black
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Pick-up: Marcus Blue humbuckers
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Preamplification: Sire Standard 2-band preamp
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Controls: Volume / tone (dual potentiometer), mic mix, treble, midrange / midrange frequency (dual potentiometer), bass, mini active/passive switch
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Mahogany body
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Modern electronic configuration
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String spacing: 20 mm
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White mother-of-pearl dot fingerboard markings
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Neck attachment 4 screws with individual sockets
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Neck and fingerboard with Edgeless™ rolled edges
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Integrated midrange frequency selection option
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Full black hardware
To find out more...
Marcus Miller is also one of the few bassists to have fashioned a sound identity that is instantly recognisable from both the studio and the stage. Early on, he adopted a hybrid approach between acoustic jazz and modern production, incorporating subtle effects (chorus, envelope filter) without ever losing the clarity of the sound.
He is a very precise arranger: his compositions are often based on simple but extremely dynamic structures, in which each instrument has a narrative role. This 'cinematic' style of writing has enabled him to work on soundtracks and hybrid projects between jazz and film music.
His influence extends far beyond jazz: many funk, neo-soul and fusion bassists cite his touch as a benchmark for groove and musicality.
He is a very precise arranger: his compositions are often based on simple but extremely dynamic structures, in which each instrument has a narrative role. This 'cinematic' style of writing has enabled him to work on soundtracks and hybrid projects between jazz and film music.
His influence extends far beyond jazz: many funk, neo-soul and fusion bassists cite his touch as a benchmark for groove and musicality.
