Marcus Miller - V5 4 Cordes LH Champagne Gold Metallic
New
415,83 €
excl VAT
including eco-part : 0,90 €
Out of stock
Guarantee 3
years
Lefthanded Bass
Sire Marcus Miller V5 4 Strings LH Champagne Gold Metallic
ARTICLE N° 122418
Features
Body shape
Type Jazz Bass
Tuning machine
Open tuners
Number of strings
4
Instrument size
Long scale (34")
Body Type
Solid body
Neck material
Maple
Fingerboard material
Maple
Scale length
863,00 mm (34,00")
Top material
Alder
Pickup type
Passives
Fingerboard radius
241 mm (9,50")
Body material
Alder
Hardware color
Chrome
Electronic
Passive
Cutaway
Yes
Pickguard color
Black
Left-handed instrument
Yes
Pickup setup
JJ
Neck shape
C
Packaging
Single unit
Color
Champagne, Golden
Assembly
Bolt-on neck
Artist
Marcus Miller
Other features
-
Model : Sire Marcus Miller V5 4 strings LH
-
Type of instrument : Electric bass
-
Series : V5
-
Size : Left-handed 4 strings
-
Pitch : 863,6 mm
-
Colour : Champagne Gold Metallic
-
Finish : Unspecified
-
Top: Alder (North American Alder)
-
Sides: Alder (assumed, body)
-
Back: Alder (assumed, body)
-
Bridge : Marcus Miller Vintage-S
-
Neck : Torrefied hard maple, C profile
-
Fingerboard : Edgeless™ roasted hard maple (rounded edges)
-
Radius : 241.3 mm
-
Trussrod: Not specified
-
Number of frets : Not specified
-
Frets types: Medium
-
Frets size : 2,4 mm
-
Saddle nut: Bone, 38 mm
-
Saddle nut: Unspecified
-
Action: Premium open action
-
Fittings finish: Chrome
-
Pickup: Marcus Vintage-J Revolution pickup set
-
Preamp: Passive (volume and tone)
-
Controls: Neck pickup volume, Bridge pickup volume, General tone
-
Original strings: Not specified
-
Other features :
-
Marcus Miller Jazz Bass body
-
Black 3-ply pickguard
-
Black square block fingerboard markers
-
1-ply black bindings
-
String spacing 20 mm
-
Steel neck mounting plate with 4 square screws
-
Torrefied maple neck (heat-treated for stability and resonance)
-
Passive vintage style inspired by classic jazz basses
-
Open gear premium action
To find out more...
Marcus Miller is also renowned for his orchestral arrangements. He can write for a variety of formations, from small jazz groups to larger ensembles. This skill enables him to work on complex projects in which each instrument is carefully integrated. He masters the balance between the different sections, creating rich textures without overloading the music. This ability to orchestrate contributes to the quality of his productions and their unique sound identity.
