Marcus Miller - Z7 5 Cordes LH Skyburst Sparkle
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741,67 €
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+infos
Guarantee 3
years
Lefthanded Bass
Sire Marcus Miller Z7 5 Strings LH Skyburst Sparkle
ARTICLE N° 122682
Features
Body shape
Single Cut, Type Jazz Bass
Type of tuners
Open tuners
Number of strings
5
Instrument size
Long scale (34")
Number of frets
22
Body Type
Solid body
Nut width
45,00 mm (1,772")
Neck material
Maple
Fingerboard material
Ebony
Scale length
863,00 mm (34,00")
Top material
Alder
Pickup type
Actives
Fingerboard radius
304 mm (11,968")
Body material
Alder
Hardware color
Chrome
Electronic
Active
Cutaway
Yes
Pickguard color
Black
Left-handed instrument
Yes
Artist
Marcus Miller
Pickup setup
J
Neck shape
C
Packaging
Single unit
Color
Burst, Blue
Assembly
Bolt-on neck
Other features
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Sire Marcus Miller Z7 5 Strings
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Electric bass
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Series : Z
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Format: Sire Z-Bass Shape
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Fork: 863.6 mm
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Colour : Skyburst Sparkle
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Top : Alder
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Back: Alder
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Bridge : Sire Premium MM Bridge
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Neck : Hard Maple
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Neck shape : C
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Fingerboard : Ebony
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Fingerboard Edges : Edgeless™ (rounded edges)
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Radius : 304,8 mm
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Number of frets : 22
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Frets types: Medium Jumbo stainless steel
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Frets size : 2,7 mm
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Saddle: Bone, 45 mm wide
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Tuning: Premium Open Gear
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Fittings finish: Chrome
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Pick-up: Sire Premium J+MM Pickup Set
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Pickup type: J + MM
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Pickup magnets: Alnico
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Coils: American made
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Noise reduction : Jazz split anti-hum pickup
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Preamp: Marcus Heritage-3 with midrange frequency control
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Preamp type: Active 3-band
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Controls: Volume/Tone, Blend, Treble, Midrange/Frequency, Bass
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Knobs : Aluminium
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Original strings: DR Dragon Skin+DBQ5-45
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String spacing: 17.5 mm
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Neck attachment: Steel plate with 5 screws
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Pickguard: 3-ply black
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Fingerboard markings: Abalone (roasted maple), white dots (rosewood), black dots (maple)
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Body: Alder
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Body design: Ergonomically rounded forearm contour with pronounced lower cutout
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Design inspiration: Iconic 70s model
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Modern humbucker groove sound with vintage character
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Playing comfort : Optimised thanks to the Edgeless™ neck and stainless steel frets
To find out more...
Marcus Miller's relationship with jazz is based on a very open vision of the genre. For him, jazz is not a fixed style, but a language capable of integrating funk, soul, hip-hop and African music. This concept explains why his albums cross several influences without losing their coherence. He sees improvisation and listening as the true foundations of jazz. This artistic openness enables him to collaborate with musicians from very different worlds, while retaining a strong personal identity and an instantly recognisable sound.
