Drawmer - 1977 Channel-Strip

The 1977 is a complete console module designed for sound recording and analogue processing in the studio. Its preamp delivers up to 66 dB of gain, accepts signals via XLR inputs or an instrument input with a through output, and features phantom power, switchable impedance, a variable high-pass filter and phase reversal. This combination makes it easy to adapt to a wide variety of set-ups without cluttering up the workspace with extra equipment.

The 3-band parametric equaliser allows for precise adjustment of the frequency balance thanks to fully variable frequencies, a correction range of ±12 dB, a bandwidth control for the midrange, selectable slopes and a Peak mode dedicated to low frequencies. This architecture is equally suited to subtle corrections and more pronounced shaping when a take requires greater character. The signal path can also be reconfigured by placing the equaliser before or after the compressor, opening up a range of sonic approaches depending on the desired result.

The compression section applies a Soft-Knee curve to maintain a gradual response to level variations. The Threshold, Ratio, Attack and Release controls are complemented by a side-chain insert, as well as the BIG and AIR modes, which preserve low and high frequencies respectively during processing. Selectable harmonic saturation enriches the signal with Clean, Warm or Overdriven modes. The Mix control directly blends the processed signal with the original signal to achieve highly precise parallel compression via a single control.

Separate outputs for the preamp and the main channel facilitate particularly flexible routing within a modern studio. It becomes straightforward to record a completely neutral signal, a processed signal or several variants simultaneously, in order to retain various options during mixing. The large backlit analogue VU meter provides immediate visual monitoring of levels, with a useful +10 dB switch for when operating levels change as the project progresses.

The Direct switch also allows you to bypass the EQ, compression and saturation sections entirely, so you can rely solely on the preamp’s transparency when the source requires perfectly faithful reproduction. This versatility allows you to switch quickly from a fully coloured signal chain to a very neutral capture, without turning the front panel into a space shuttle control panel.