Guild - Polara Deluxe Canyon Dusk
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Guitar Double Cut
Let yourself be enchanted by the Guild Polara Deluxe, a guitar that combines the vintage aesthetics of the 70s with modern features for an unforgettable musical experience. But it's not just about looks, it's also designed to be easy to play, with a comfortable neck and 628mm scale to suit all body types. With its Canyon Dusk finish and refined details, the Guild Polara Deluxe is a guitar that will stay with you for years to come.
ARTICLE N° 92922
Presentation
Inspired by models from the 70s, the Polara Deluxe has a vintage look with block inlays and a Chesterfield head. But make no mistake, it's packed with modern features that make it incredibly versatile
Its mahogany body and maple neck offer a rich, warm sound, while its rosewood fingerboard with block inlays gives it an elegant, refined look.
The HB-2+ pickups, modern versions of Guild's famous HB-1s, deliver warm, precise tones with a wide range of timbres. The push/pull coil splitter lets you explore even more sonic possibilities.
Its mahogany body and maple neck offer a rich, warm sound, while its rosewood fingerboard with block inlays gives it an elegant, refined look.
The HB-2+ pickups, modern versions of Guild's famous HB-1s, deliver warm, precise tones with a wide range of timbres. The push/pull coil splitter lets you explore even more sonic possibilities.
Features
Body shape
Type SG, Double cut
Scale length
628,00 mm (24,72")
Instrument size
4/4, standard
Body Type
Solid body
Body material
Mahogany
Neck material
Mahogany
Fingerboard material
Rosewood
Fingerboard radius
320 mm (12,60")
Number of frets
22
Nut width
43,00 mm (1,693")
Tuning machine
Open tuners, Vintage
Pickup type
Passives
Electronic
Passive
Hardware color
Nickel
Bridge configuration
6 saddles
Number of strings
6
String gauge
010 - 046
Finish
Brilliant
Pickup setup
HH, Split coils
Packaging
Single unit
Assembly
Set neck
Other features
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Guild Polara Deluxe Canyon Dusk
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Electric guitars
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Polara Deluxe series
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Colours: grey-blue
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Finish: gloss polyurethane
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Scale: 24.7" (628 mm)
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Body shape: Guild Polara
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Construction: Solid Body, glued neck
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Body : Solid mahogany
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Neck : Mahogany
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Shape : Vintage Soft "U
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Fingerboard : Indian rosewood
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Radius : 12,5" (320 mm)
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Frets : 22, Narrow Jumbo
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Inlays : Perloid Blocks
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Truss Rod: Double Action
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Saddle: 1,145" (43mm)
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Tuners: Open, Guild Vintage 18
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Bridge : Tune-O-Matic
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Tailpiece: Stopbar
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Through strings
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Nickel-plated hardware
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Pickguard: Black
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Bridge: Humbucker Guild HB-2+ Alnico V, Splittables
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Micro Neck: Humbucker Guild HB-2+ Alnico V, Splittables
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Controls: 2x Volume, 2xTonewith push/pull single coil split, Toggle Switch 3 positions
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Strings: D'Addario EXL110 .010 / .046
To find out more...
Toggle Switch 3 positions + Split coil :
1. Bridge (Hum Cancelling)
This position has the most attack and bite. Overwound for a big, powerful sound without sounding too dark, an excellent tool for pushing an amp into a singing distortion. Perfect for solos or in your rhythm parts, the HB-2+ humbucker has a bold, rich sound that's equally suited to any musical style.
2. Bridge (Coil Split)
Pulling up on the bridge volume knob splits the humbucker coils in the bridge for single-coil sounds. This position is ideal when extra clarity is required. Although its output is lower when split, the HB-2+ bridge will not sound anaemic.
3. Bridge (Coil Split) + Neck
This position has a full-frequency, almost acoustic tone bit, with additional compression and noise from the split bridge pickup.
4. Bridge + Neck (Hum Cancelling)
This position combines the humbucking tones of the neck and bridge. Thick, creamy mids, fat, round basses and clear highs make for an excellent all-round sound.
5. Bridge (Coil Split) + Neck (Coil Split) (Hum Cancelling)
This position is ideal for funk with big bass and hollow highs. This position has part of the quack typical of out-of-phase pickup settings.
6. Bridge + Neck (Coil Split)
An excellent overall tone, this position has a timbre similar to that of the full bridge and neck combined but with less accentuated midrange. It is an excellent intermediate sound, warm and full of treble.
7. Neck (Coil Split)
Pulling up on the neck volume knob splits the coils of the neck humbucker. This gives an extra sparkle to the smooth, creamy sound of the neck humbucker, ideal for lead lines or rhythm parts that won't get muddy.
8. Neck (Hum Cancelling)
This position produces a warm, rounded sound, from sung lead lines to clean rhythm lines.
1. Bridge (Hum Cancelling)
This position has the most attack and bite. Overwound for a big, powerful sound without sounding too dark, an excellent tool for pushing an amp into a singing distortion. Perfect for solos or in your rhythm parts, the HB-2+ humbucker has a bold, rich sound that's equally suited to any musical style.
2. Bridge (Coil Split)
Pulling up on the bridge volume knob splits the humbucker coils in the bridge for single-coil sounds. This position is ideal when extra clarity is required. Although its output is lower when split, the HB-2+ bridge will not sound anaemic.
3. Bridge (Coil Split) + Neck
This position has a full-frequency, almost acoustic tone bit, with additional compression and noise from the split bridge pickup.
4. Bridge + Neck (Hum Cancelling)
This position combines the humbucking tones of the neck and bridge. Thick, creamy mids, fat, round basses and clear highs make for an excellent all-round sound.
5. Bridge (Coil Split) + Neck (Coil Split) (Hum Cancelling)
This position is ideal for funk with big bass and hollow highs. This position has part of the quack typical of out-of-phase pickup settings.
6. Bridge + Neck (Coil Split)
An excellent overall tone, this position has a timbre similar to that of the full bridge and neck combined but with less accentuated midrange. It is an excellent intermediate sound, warm and full of treble.
7. Neck (Coil Split)
Pulling up on the neck volume knob splits the coils of the neck humbucker. This gives an extra sparkle to the smooth, creamy sound of the neck humbucker, ideal for lead lines or rhythm parts that won't get muddy.
8. Neck (Hum Cancelling)
This position produces a warm, rounded sound, from sung lead lines to clean rhythm lines.
