Larry Carlton - S7 HSS New Gen LH White
707,50 €
excl VAT
Out of stock
Guarantee 3
years
Fred
Eric
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Sire Larry Carlton S7 HSS New Gen LH White
ARTICLE N° 122035
Features
Tremolo
Yes
Body shape
Double cut, ST-shape
Tuning machine
Locking
Instrument size
4/4, standard
Number of frets
22
Body Type
Solid body
Nut width
42,00 mm (1,654")
Neck material
Maple
Fingerboard material
Maple
Scale length
647,00 mm (25,47")
Top material
Alder
Pickup type
Passives
Fingerboard radius
241/335,6 mm (9,5/14")
Body material
Alder
Hardware color
Chrome
Electronic
Passive
Cutaway
Yes
Pickguard color
Mint Green
Left-handed instrument
Yes
Pickup setup
HSS
Neck shape
C
Color
White
Assembly
Bolt-on neck
Artist
Larry Carlton
Packaging
Single unit
Number of strings
6
Other features
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Sire Larry Carlton S7 HSS New Gen LH
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Electric Guitar
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Series: S7 New Gen
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Size : Double cutaway
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String length: 647.7 mm
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Colour : White
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Top : North American alder
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Sides: North American Alder
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Back: North American alder
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Bridge: Modern Sire vibrato (2-pivot type)
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Neck : Hard maple
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Fingerboard : Hard Maple with Edgeless™ rounded edges
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Radius : 241.3 mm to 355.6 mm (compound radius)
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Number of frets: 22
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Frets types: Medium Jumbo stainless steel
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Frets size: 2.7 mm
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Nut: Graphtech Tusq XL - 42 mm
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Tuners: Sire Premium self-locking tuners
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Fittings finish: Chrome
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Pickups: Sire LC Super HSS pickup set
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Controls: 5-way selector switch, Volume, Tone
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Original strings: DR Dragon Skin+ DEQ-10
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C-shaped neck
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Neck to body junction with 4 screw steel plate
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String spacing: 10.8 mm
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Luminlay fingerboard markers (luminous dots)
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Standard IV control buttons
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Pickguard: Mint Green
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Left-handed model
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Improved pickups for greater acoustic versatility
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Stainless steel frets for increased durability
To find out more...
Larry Carlton really helped define the standard for Los Angeles studio musicians in the 1970s: perfect sight-reading, instant adaptation to styles, and the ability to deliver a workable take in very few attempts.
He was also one of Steely Dan's key guitarists, whose productions demanded extremely precise parts that were often rewritten until the "perfect take" was achieved, forging his legendary rigour.
His approach to sound was based on a simple but radical idea at the time: musicality takes precedence over technical demonstration, and this has had a lasting influence on jazz fusion and modern studio playing.
He was also one of Steely Dan's key guitarists, whose productions demanded extremely precise parts that were often rewritten until the "perfect take" was achieved, forging his legendary rigour.
His approach to sound was based on a simple but radical idea at the time: musicality takes precedence over technical demonstration, and this has had a lasting influence on jazz fusion and modern studio playing.
