Marcus Miller - M2 4 Cordes LH White Pearl
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390,83 €
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Guarantee 3
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Lefthanded Bass
Sire Marcus Miller M2 4 Strings LH White Pearl
ARTICLE N° 122175
Features
Type of tuners
Standard tuners
Number of strings
4
Instrument size
Long scale (34")
Number of frets
24
Body Type
Solid body
Neck material
Maple
Fingerboard material
Rosewood
Scale length
863,00 mm (34,00")
Fingerboard radius
304 mm (11,968")
Body material
Mahogany
Hardware color
Black
Electronic
Active and passive
Cutaway
Yes
Left-handed instrument
Yes
Artist
Marcus Miller
Pickup setup
HH
Neck shape
C
Packaging
Single unit
Color
White, Pearl
Assembly
Bolt-on neck
Other features
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Sire Marcus Miller M2 4 strings LH
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Electric bass
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Series : M2
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Format: Modern bass style
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Pitch: 863.6 mm
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Colour : Transparent Black (TBK)
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Bridge: Marcus Standard Bass bridge with through-body string option
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Neck : Canadian Hard Maple, C profile
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Fingerboard : Rosewood with Edgeless™ rounded fret edges
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Radius: 304.8 mm
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Number of frets : 24
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Frets types: Medium
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Saddle: PPS TUSQ black, width 38 mm
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Tuning mechanisms: Basic die-cast tuning mechanisms
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Fittings finish: Black
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Pick-up: Marcus Blue humbuckers
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Preamplification: Sire Standard 2-band preamp
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Controls: Volume / tone (dual potentiometer), mic mix, treble, midrange / midrange frequency (dual potentiometer), bass, mini active/passive switch
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Mahogany body
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Modern electronic configuration
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String spacing: 20 mm
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White mother-of-pearl dot fingerboard markings
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Neck attachment 4 screws with individual sockets
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Neck and fingerboard with Edgeless™ rolled edges
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Integrated midrange frequency selection option
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Full black hardware
To find out more...
Marcus Miller is also renowned for his ability to transform technical constraints into an artistic signature. He frequently uses 5-string basses to broaden his lower register, enabling him to create more orchestral and deeper lines, akin to a modern double bass role.
In the 2000s, he developed a more 'world jazz' aesthetic, incorporating African, Caribbean and Oriental grooves into his compositions. This openness is reflected in his collaborations with international musicians on global tours.
He is heavily involved in the sound production of his albums, often controlling the final mix to achieve a precise balance between analogue warmth and digital clarity, a signature that has become instantly recognisable in his work.
In the 2000s, he developed a more 'world jazz' aesthetic, incorporating African, Caribbean and Oriental grooves into his compositions. This openness is reflected in his collaborations with international musicians on global tours.
He is heavily involved in the sound production of his albums, often controlling the final mix to achieve a precise balance between analogue warmth and digital clarity, a signature that has become instantly recognisable in his work.
