Marcus Miller - V7 Ash Reissue 5 Cordes Transparent Green Satin
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Electric Bass
Sire Marcus Miller V7 Ash Reissue 5 Cordes Transparent Green Satin
ARTICLE N° 122571
Features
Body shape
Type Jazz Bass
Type of tuners
Open tuners
Number of strings
5
Instrument size
Long scale (34")
Number of frets
20
Body Type
Solid body
Nut width
46,00 mm (1,811")
Neck material
Maple
Fingerboard material
Maple
Scale length
863,00 mm (34,00")
Top material
Marais ash
Fingerboard radius
241 mm (9,50")
Body material
Marsh ash
Hardware color
Chrome
Electronic
Active and passive
Cutaway
Yes
Pickguard color
White Pearl
Artist
Marcus Miller
Finish
Satin
Pickup setup
JJ
Neck shape
C
Packaging
Single unit
Color
Transparent, Green
Assembly
Bolt-on neck
Other features
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Sire Marcus Miller V7 Ash Reissue 5 Strings LH
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Electric bass
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Series : V7
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Size : Left-handed 5 strings
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Pitch: 863.6 mm
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Colour : Transparent Green Satin
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Finish : Satin
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Top : Swamp ash + poplar burr veneer
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Sides : Swamp ash
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Back : Marsh ash
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Bridge : Marcus Heavymass II
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Neck : Hard maple, C profile
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Fingerboard : Edgeless™ hard maple (rounded fret edges)
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Radius: 241.3 mm
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Number of frets: 20
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Frets types: Medium
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Fretsize: 2.4 mm
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Nut: Bone, 46 mm
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Tuning: Premium open tuning
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Fittings finish: Chrome
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Pickup: Marcus Super-J Revolution pickup set
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Preamp: Marcus Heritage-3 with midrange frequency control (3 bands)
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Controls: Volume/Tone, Blend, Treble, Midrange/Frequency, Bass
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Swamp ash body + Poplar Burl decorative veneer
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Jazz Bass pickup configuration with "60s" spacing
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USA plain enamel coil for high sound resolution
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Active/passive switching
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3-band preamp with active/passive mode selector switch
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Marcus Miller J body shape
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Neck plate 4 steel screws
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18 mm string spacing
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Black plastic jazz buttons
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White pearloid block fingerboard markers
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Ivory 3-ply pearloid pickguard
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Premium open gear action
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Reissued model (discontinued in 2021 due to shortage of swamp ash)
To find out more...
Marcus Miller pays particular attention to the rhythm section in his compositions. He sees the drums and bass as the heart of the groove. He works closely with the drummers to create a precise interplay between the two instruments. This rhythmic complicity is essential in his pieces, whether they are funk or jazz. It builds a solid foundation on which the other instruments can express themselves freely. This approach reflects his sense of the collective and his experience as a band leader.
