Marcus Miller - V3 New Gen 5 Cordes LH Antique White
New
599,17 €
excl VAT
In Stock
Usually ships within 3 days
+infos
Guarantee 3
years
Fred
Eric
Do you need help?
Lefthanded Bass
Sire Marcus Miller V3 New Gen 5 Strings Antique White
ARTICLE N° 122161
Features
Body shape
Type Jazz Bass
Type of tuners
Open tuners, Standard tuners
Number of strings
5
Instrument size
Long scale (34")
Body Type
Solid body
Nut width
46,00 mm (1,811")
Neck material
Maple
Fingerboard material
Rosewood
Scale length
863,00 mm (34,00")
Fingerboard radius
241 mm (9,50")
Body material
Mahogany
Hardware color
Chrome
Electronic
Active and passive
Cutaway
Yes
Pickguard color
Black
Left-handed instrument
Yes
Artist
Marcus Miller
Pickup setup
JJ
Neck shape
C
Packaging
Single unit
Color
Antique (aged finish), White
Assembly
Bolt-on neck
Other features
-
Sire Marcus Miller V3 New Gen 5 strings
-
Electric bass
-
Series : V3 New Gen
-
Format: Jazz Bass (Marcus Miller Jazz type)
-
Pitch: 863.6 mm (34")
-
Colour : Tobacco Sunburst (TS)
-
Bridge: Marcus Standard Bass bridge with through-body strings
-
Neck : Canadian Hard Maple with stained finish, C profile
-
Fingerboard : Rosewood with Edgeless™ rounded fret edges
-
Radius: 241.3 mm (9.5")
-
Frets types : Medium
-
Fretsize: 2.4 mm
-
Saddle: Natural bone, 46 mm wide
-
Tuning machines: Standard open tuning machines
-
Fittings finish: Chrome
-
Pickup: Marcus Standard J-Revolution pickup set (Alnico magnets)
-
Preamplification: Sire Standard 2-band preamp
-
Controls: Volume / tone, pickup balance, treble, bass (push/pull active-passive)
-
Mahogany body
-
Marcus Miller Jazz body shape
-
J pickup configuration
-
Jazz-style black plastic knobs
-
String spacing: 18 mm
-
White mother-of-pearl dot fingerboard markings
-
3-ply black/white/black pickguard
-
Simplified electronics for quick adjustments
-
Alnico pickups offer warmer mids and smoother highs
-
Improved comfort with Edgeless™ technology
-
Tinted neck for a more premium look
-
Updated design and improved aesthetics
To find out more...
Marcus Miller is often regarded as one of the architects of the modern "cool jazz-funk" sound. In the 1980s, he became Miles Davis's touring bassist, which had a profound influence on his approach to musical space and improvisation. He learned to favour silence and rhythmic tension over virtuosity.
He has also had a career as a composer for the cinema, notably with music that blends jazz, soul and urban atmospheres. His style is characterised by lilting bass lines, often constructed as main themes. In addition to his solo albums, he continues to explore world music, incorporating African and Caribbean influences into his compositions.
He has also had a career as a composer for the cinema, notably with music that blends jazz, soul and urban atmospheres. His style is characterised by lilting bass lines, often constructed as main themes. In addition to his solo albums, he continues to explore world music, incorporating African and Caribbean influences into his compositions.
