Marcus Miller - V6 4 Cordes LH Antique White
New
624,17 €
excl VAT
In Stock
Usually ships within 3 days
+infos
Guarantee 3
years
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Lefthanded Bass
Sire Marcus Miller V6 4 Strings LH Antique White
ARTICLE N° 122273
Features
Body shape
Type Jazz Bass
Type of tuners
Open tuners
Number of strings
4
Instrument size
Long scale (34")
Number of frets
20
Body Type
Solid body
Neck material
Maple
Fingerboard material
Rosewood
Scale length
860,00 mm (33,86")
Top material
Ash
Fingerboard radius
241 mm (9,50")
Body material
Mahogany
Hardware color
Chrome
Electronic
Active and passive
Cutaway
Yes
Bridge configuration
Fix
Left-handed instrument
Yes
Artist
Marcus Miller
Finish
Sandblaster
Pickup setup
JJ
Neck shape
C
Packaging
Single unit
Color
Antique (aged finish), White
Assembly
Bolt-on neck
Other features
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Sire Marcus Miller V6 4 strings LH
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Electric bass
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Series : V6
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Format: Jazz Bass (Marcus Miller Jazz shape)
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Pitch: 863.6 mm
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Colour : Black (BK)
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Finish : Sandblasted
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Top : Solid ash
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Back : Mahogany
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Bridge : Marcus Miller Modern-S Bass Bridge
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Neck : Hard Maple, C-profile
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Fingerboard : Rosewood with Edgeless™ rounded edges
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Radius : 241,3 mm
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Number of frets : 20
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Frets types: Medium
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Fret size: 2.4 mm
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Nut: Bone, 38 mm wide
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Tuning: Premium lightweight open tuners
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Fittings finish: Chrome
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Pickup: Marcus Super-J Revolution set
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Pre-amplification: Marcus Heritage-3 (without midrange adjustment)
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Controls: Volume/Tone, pickup balance, treble/midrange, bass (push/pull for passive mode)
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Original strings: DR Dragon Skin+
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Lightweight body designed to reduce fatigue and improve playing comfort
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Mahogany body with solid ash top
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String spacing: 20 mm
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Neck attachment: 4-screw steel plate
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Markers: dots
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Buttons: black aluminium
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3-band active preamp
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Lightweight design with full sound
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Finish highlighting the natural grain of the wood
To find out more...
Larry Carlton has also left his mark on the industry through his ability to remain relevant despite technological developments: he has managed to maintain an organic, expressive sound in an era of increasingly digital productions.
He is known for his exceptional control of volume directly on the guitar, which he uses as a veritable tool of expression to sculpt his phrases in real time.
His approach has influenced a generation of musicians who are now seeking to rediscover a more human and nuanced style of playing in highly produced contexts.
He is known for his exceptional control of volume directly on the guitar, which he uses as a veritable tool of expression to sculpt his phrases in real time.
His approach has influenced a generation of musicians who are now seeking to rediscover a more human and nuanced style of playing in highly produced contexts.
