Marcus Miller - Z7 4 Cordes LH Antique White
New
615,83 €
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including eco-part : 0,90 €
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Guarantee 3
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Lefthanded Bass
Sire Marcus Miller Z7 4 Strings LH Antique White
ARTICLE N° 122236
Features
Body shape
Type Jazz Bass
Type of tuners
Open tuners
Number of strings
4
Instrument size
Long scale (34")
Number of frets
22
Body Type
Solid body
Nut width
42,00 mm (1,654")
Neck material
Maple
Fingerboard material
Ebony
Scale length
863,00 mm (34,00")
Pickup type
Actives
Fingerboard radius
304 mm (11,968")
Body material
Alder
Hardware color
Chrome
Electronic
Active
Cutaway
Yes
Bridge configuration
Fix
Pickguard color
Black
Left-handed instrument
Yes
Artist
Marcus Miller
Pickup setup
H, J
Neck shape
C
Packaging
Single unit
Color
Antique (aged finish), White
Assembly
Bolt-on neck
Other features
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Model: Sire Marcus Miller Z7 4 strings left-handed
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Type of instrument : Electric bass
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Series : Z7
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Format : Sire Z-Bass
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Pitch : 863,6 mm
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Colour : Antique White (AWH)
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Finish : Not specified
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Top : Not specified
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Sides : Not specified
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Back : Not specified
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Bridge : Sire Premium MM bridge
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Neck : Roasted Maple and Hard Maple, C profile
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Fingerboard : Ebony (AWH), Edgeless™
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Radius : 304,8 mm
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Trussrod : Not specified
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Number of frets: 22
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Frets types: Stainless Steel, Medium Jumbo
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Size of frets: 2.7 mm
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Saddle nut: Bone, width 42 mm
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Saddle nut: Not specified
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Tuning: Premium open tuning
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Fittings finish: Chrome
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Pick-up: Sire Premium J+MM pick-up set
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Preamp: Marcus Heritage-3 with midrange control
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Controls: Volume/Tone, Blender, Treble, Midrange/Frequency, Bass
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Original strings: DR Dragon Skin+ DBQ-45
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Other features and details :
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Swamp Ash or Alder body
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Sire Z-Bass shape inspired by 70s basses
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3-ply black pickguard
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5-steel screw neck junction plate
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Aluminium buttons
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3-band active equalization
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Preamp with blender and tone control
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Humbucker configuration + anti-noise Jazz split pickup
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Access to a wide range of vintage and modern sounds
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Natural finish available depending on wood used
To find out more...
Larry Carlton also left his mark on the history of the studio through his ability to "think like an arranger": he didn't just play guitar lines, he often decided which notes should disappear to make the track more readable.
He is renowned for his extremely controlled dynamic playing, capable of going from a harmonic whisper to a highly expressive phrase without changing his material.
Finally, his influence can still be seen today in the way session guitarists construct functional parts, in direct service of the production.
He is renowned for his extremely controlled dynamic playing, capable of going from a harmonic whisper to a highly expressive phrase without changing his material.
Finally, his influence can still be seen today in the way session guitarists construct functional parts, in direct service of the production.
