Schecter - Kenny Hickey C-1 EX S Steele Green
1 249,17 €
excl VAT
including eco-part : 0,90 €
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Signature Guitar
Schecter's Kenny Hickey C-1 EX S Steele Green features a baritone-style design, with a 26.5-inch scale and mahogany body, giving it a powerful tone and impressive sustain for low-frequency chords and riffs. It's equipped with the Sustainiac system on the neck pickup and a Seymour Duncan SH-4 JB humbucker on the bridge, offering an incredible palette of sounds, from infinite, controllable sustain to classic rock and metal tones. Finally, its control configuration, including a kill switch and multiple switches for the Sustainiac, makes it a versatile instrument for unique and creative sound effects on stage.
ARTICLE N° 111934
Presentation
Schecter's Kenny Hickey C-1 EX S Steele Green is designed for guitarists looking for an instrument that combines heaviness, sustain and expressiveness. With its 3-piece mahogany body and neck, it gives off a deep, rich resonance, ideal for low tunings. Its extended 26.5" scale ensures optimum tension, even with the thick strings fitted as standard, perfect for powerful, precise baritone playing.
The rosewood fingerboard houses 24 X-Jumbo frets, offering comfort and space to explore the entire register. Thanks to the glued neck with Ultra Access, you can effortlessly reach the high notes, opening up the way for solos and airier textures.
On the electronics side, the pickup duo features a Seymour Duncan JB SH-4B in the bridge for sharp, dynamic tones, combined with a Sustainiac in the neck. The neck Sustainiac lets you extend your notes at will, with different modes (fundamental, mix, harmonic) to enrich your sound palette.
The elegant Steele Green finish, luminous green markers and black chrome hardware give this guitar a distinctive look that won't go unnoticed. This Signature offers you the perfect balance between stage power and creative freedom.
The rosewood fingerboard houses 24 X-Jumbo frets, offering comfort and space to explore the entire register. Thanks to the glued neck with Ultra Access, you can effortlessly reach the high notes, opening up the way for solos and airier textures.
On the electronics side, the pickup duo features a Seymour Duncan JB SH-4B in the bridge for sharp, dynamic tones, combined with a Sustainiac in the neck. The neck Sustainiac lets you extend your notes at will, with different modes (fundamental, mix, harmonic) to enrich your sound palette.
The elegant Steele Green finish, luminous green markers and black chrome hardware give this guitar a distinctive look that won't go unnoticed. This Signature offers you the perfect balance between stage power and creative freedom.
Features
Number of strings
6
Body material
Mahogany
Hardware color
Black chrome
Number of frets
24
Nut width
42,00 mm (1,654")
Neck material
Mahogany
Fingerboard material
Rosewood
Scale length
673,00 mm (26,50")
Fingerboard radius
355 mm (14,00")
Cutaway
Yes
Bridge configuration
Strings-Through-Body, Tune-O-Matic
Instrument type
Electric guitar
Pickup setup
HS
Neck shape
Slim C
Color
Green
Assembly
Set neck
Other features
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Schecter Kenny Hickey C-1 EX S Steele Green
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6-string electric guitar
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Neck: 3-piece mahogany
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Body : Mahogany
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Fingerboard : Rosewood
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Neck type : Glued with Ultra Access
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Shape : thin "C
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Saddle width : 42 mm
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Thickness at 12th fret: 0.866" (22 mm)
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Fingerboard radius: 14" (355 mm)
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Frets: 24 X-Jumbo
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Fork: 26.5" (673 mm)
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Markers: Green blocks
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Colour: Steele Green
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Fittings: Black chrome
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Bridge: TonePros T3BT TOM with through strings
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Tuners: Grover
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Bridge pickups: Seymour Duncan JB SH-4B
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Neck pickup: Sustainiac
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Controls: Volume/Tone/3-way selector (pickup)/KILL selector/Sustainiac 2-way on/off selector/Sustainiac 3-way mode selector (Fundamental-Mix-Harmonic)
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Strings: Ernie Ball Baritone Not Even Slinky #2626 (.012-.056)
To find out more...
Kenny Hickey, guitarist with Type O Negative, is known for playing green guitars, in homage to the band's dark, ironic visual style. He has long used Fernandes guitars, often modified to suit his ultra-low tuning. As well as music, he has a weakness for horror films, an influence that is reflected in the mood of his compositions.
