Marcus Miller - F10 5 Cordes Natural Satin
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1 665,83 €
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including eco-part : 0,90 €
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Guarantee 3
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Eric
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Electric Bass
Sire Marcus Miller F10 5 Strings Natural Satin
ARTICLE N° 122468
Features
Body shape
Single Cut
Number of strings
5
Instrument size
Long scale (34")
Number of frets
24
Body Type
Solid body
Nut width
45,00 mm (1,772")
Neck material
Mahogany
Fingerboard material
Ebony
Scale length
889,00 mm (35,00")
Top material
Poplar
Pickup type
Actives
Fingerboard radius
304 mm (11,968")
Body material
Marsh ash
Hardware color
Black
Electronic
Active
Cutaway
Yes
Artist
Marcus Miller
Finish
Satin
Pickup setup
HH
Neck shape
C
Packaging
Single unit
Color
Natural Wood
Assembly
Neck-through
Case or cover included
Hard Case
Other features
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Sire Marcus Miller F10 5 Strings LH
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5-string left-handed electric bass
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Series : F10
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Size: Marcus Miller modern single cutaway body
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Pitch : 889 mm
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Colour : Natural Satin
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Finish : Natural Satin
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Top : Solid curly poplar
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Sides : Marsh ash
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Back : Swamp ash
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Bridge : New Marcus Heavymass Custom
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Neck : 5-piece hard maple/mahogany, through joint, C-profile
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Fingerboard: Edgeless™ Ebony with rolled fret edges
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Radius: 304.8 mm
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Number of frets: 24
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Frets types: Stainless steel medium frets
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Frets size : 2,4 mm
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Nut: Bone, 45 mm wide
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Fittings: Premium die-cast fittings
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Fittings finish: Black
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Pickup: Marcus Pure-H Revolution Set (humbuckers)
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Preamp: Marcus Heritage-3 with midrange control
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Controls: Volume/Tone, Blender, Treble, Midrange/Freq, Bass, Pickup Selector
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Original strings: D'Addario ECB81-5SL
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Swamp Ash body with Poplar Burl top
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Quiet humbucker pickup configuration
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High-end design with premium woods
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Enhanced quality control
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Sire hard case included
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Rectangular rounded mother-of-pearl/abalone block fingerboards
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Black aluminium knobs
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Optimised for studio and live use
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Construction designed for high vibration and sustain
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Full black finish hardware
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35-inch long-scale tuning fork
To find out more...
In several interviews, Marcus Miller talks about the importance of singing bass lines. He often tries to create parts that can be memorised like a main melody. This vision moves away from the traditional role of the bass as a purely rhythmic instrument. For him, the instrument sometimes becomes the central voice of the piece. This approach helps to make his compositions accessible even to listeners unfamiliar with instrumental jazz. It also explains why some of his bass lines have become emblematic among musicians.
