Marcus Miller - P6 4 Cordes LH Candy Apple Red
New
624,17 €
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+infos
Guarantee 3
years
Lefthanded Bass
Sire Marcus Miller P6 4 Strings LH Candy Apple Red
ARTICLE N° 122287
Features
Body shape
Precision Bass Type
Type of tuners
Open tuners
Number of strings
4
Instrument size
Long scale (34")
Number of frets
20
Body Type
Solid body
Neck material
Maple
Fingerboard material
Rosewood
Scale length
863,00 mm (34,00")
Top material
Ash
Fingerboard radius
241 mm (9,50")
Body material
Mahogany
Hardware color
Chrome
Electronic
Active and passive
Cutaway
Yes
Bridge configuration
Fix
Left-handed instrument
Yes
Artist
Marcus Miller
Finish
Sandblaster
Pickup setup
PJ
Neck shape
C
Packaging
Single unit
Color
Candy Apple Red
Assembly
Bolt-on neck
Other features
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Sire Marcus Miller P6 4 Strings LH
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Electric bass
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Series: P6
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Format: Precision (PJ)
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Pitch: 863.6 mm
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Colour: Candy Apple Red
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Finish : Sandblasted
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Top : Solid Ash
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Bridge : Marcus Miller Modern-S Bass Bridge
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Neck : Hard maple, C profile
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Fingerboard : Rosewood with Edgeless™ rounded edges
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Radius : 241.3 mm
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Number of frets : 20
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Frets types: Medium
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Fret size: 2.4 mm
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Nut: Bone, 38 mm wide
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Tuning: Premium lightweight open tuners
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Fittings finish: Chrome
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Pickup: Marcus Super-PJ Revolution
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Preamp: Marcus Heritage-3 (no midrange)
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Controls: Volume/Tone, pickup balance, treble/midrange, bass (push/pull passive mode)
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Original strings: DR Dragon Skin+ DBQ5-45
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Mahogany body with solid ash top
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Lightweight construction for reduced fatigue
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4-screw neck mount on steel plate
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Dot markers
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Black aluminium buttons
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String spacing: 20 mm
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3-band active preamp
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PJ pickup configuration (Marcus Super-PJ Revolution)
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Comfort-oriented design for long-lasting playability
To find out more...
Larry Carlton was also one of the most effective studio guitarists of his time, capable of delivering complete parts in very few takes thanks to his rapid harmonic reading and great anticipation of the song.
He is renowned for his singing style, in which each phrase is conceived as a vocal line rather than a sequence of guitar techniques.
His influence can be seen in the way the guitar is used in the studio today: precise, unobtrusive, but essential to the overall balance of the piece.
He is renowned for his singing style, in which each phrase is conceived as a vocal line rather than a sequence of guitar techniques.
His influence can be seen in the way the guitar is used in the studio today: precise, unobtrusive, but essential to the overall balance of the piece.
