Marcus Miller - V6 4 Cordes LH Candy Apple Red
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624,17 €
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Eric
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Lefthanded Bass
Sire Marcus Miller V6 4 Strings LH Candy Apple Red
ARTICLE N° 122279
Features
Body shape
Type Jazz Bass
Type of tuners
Open tuners
Number of strings
4
Instrument size
Long scale (34")
Number of frets
20
Body Type
Solid body
Neck material
Maple
Fingerboard material
Rosewood
Scale length
860,00 mm (33,86")
Top material
Ash
Fingerboard radius
241 mm (9,50")
Body material
Mahogany
Hardware color
Chrome
Electronic
Active and passive
Cutaway
Yes
Bridge configuration
Fix
Left-handed instrument
Yes
Artist
Marcus Miller
Finish
Sandblaster
Pickup setup
JJ
Neck shape
C
Packaging
Single unit
Color
Candy Apple Red
Assembly
Bolt-on neck
Other features
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Sire Marcus Miller V6 4 strings LH
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Electric bass
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Series : V6
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Format: Jazz Bass (Marcus Miller Jazz shape)
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Pitch: 863.6 mm
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Colour : Butterscotch
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Finish : Sandblasted
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Top : Solid ash
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Back : Mahogany
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Bridge : Marcus Miller Modern-S Bass Bridge
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Neck : Hard Maple, C-profile
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Fingerboard : Hard maple with Edgeless™ rounded edges
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Radius: 241.3 mm
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Number of frets: 20
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Frets types: Medium
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Fretsize: 2.4 mm
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Nut: Bone, 38 mm wide
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Tuning: Premium lightweight open tuners
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Fittings finish: Chrome
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Pickup: Marcus Super-J Revolution set
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Pre-amplification: Marcus Heritage-3 (without midrange adjustment)
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Controls: Volume/Tone, pickup balance, treble/midrange, bass (push/pull for passive mode)
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Original strings: DR Dragon Skin+
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Lightweight body designed to reduce fatigue and improve playing comfort
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Mahogany body with solid ash top
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String spacing: 20 mm
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Neck attachment: 4-screw steel plate
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Markers: dots
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Buttons: black aluminium
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3-band active preamp
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Lightweight design with full sound
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Finish highlighting the natural grain of the wood
To find out more...
Larry Carlton was also one of the musicians who helped make the electric guitar more of an arranger than a soloist in sophisticated Los Angeles productions.
He is renowned for his ability to construct parts that interact with the drums rather than simply following the chord grid, creating a real rhythmic dialogue.
His influence can be seen in the way modern guitarists think of their lines: as part of the overall architecture of the piece.
He is renowned for his ability to construct parts that interact with the drums rather than simply following the chord grid, creating a real rhythmic dialogue.
His influence can be seen in the way modern guitarists think of their lines: as part of the overall architecture of the piece.
