Marcus Miller - Z3 4 Cordes LH Blue
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515,83 €
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Guarantee 3
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Lefthanded Bass
Sire Marcus Miller Z3 4 Strings LH Blue
ARTICLE N° 122217
Features
Body shape
Type Jazz Bass
Type of tuners
Open tuners, Standard tuners
Number of strings
4
Instrument size
Long scale (34")
Number of frets
22
Body Type
Solid body
Nut width
42,00 mm (1,654")
Neck material
Maple
Fingerboard material
Maple
Scale length
863,00 mm (34,00")
Pickup type
Actives
Fingerboard radius
304 mm (11,968")
Body material
Mahogany
Electronic
Active
Cutaway
Yes
Bridge configuration
Fix
Pickguard color
Mint Green
Left-handed instrument
Yes
Artist
Marcus Miller
Pickup setup
H
Neck shape
C
Packaging
Single unit
Color
Blue
Assembly
Bolt-on neck
Other features
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Sire Marcus Miller Z3 4 Strings LH
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Electric bass
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Series : Z3
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Format: Sire Z-Bass
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Pitch: 863.6 mm
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Colour: Antique White (AWH)
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Bridge: Sire Standard MM bridge
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Neck : Hard maple, C profile
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Fingerboard : Hard Maple, Edgeless™ (rounded edges)
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Radius : 304,8 mm
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Number of frets : 22
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Frets types: Medium Jumbo
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Frets size : 2,7 mm
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Nut: Bone, 42 mm wide
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Tuning machines: Standard open tuning machines
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Pick-up: Micro Sire Standard MM
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Preamp: Marcus Heritage-3 (no midrange)
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Controls: Volume, Treble, Midrange, Bass
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Mahogany body
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Sire Z-Bass body shape with ergonomic forearm contour
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3-ply black pickguard
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String gauge: 19 mm
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Steel neck mounting plate with 5 screws
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Metal dome buttons
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Markers: black dots (maple fingerboard)
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Active 3-band equalisation
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Humbucker-oriented sound with deep bass
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Design inspired by an iconic 70s model
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Advanced electronic configuration for a wide sound palette
To find out more...
Larry Carlton also left his mark on the studios with his ability to record definitive parts without multiple overdubs, which demanded rare precision and confidence.
He is known for his subtle use of double-stops (two notes played together) to enrich his lines without weighing down the mix.
Finally, he helped set a professional standard: instantly understanding the guitar's role in a song and playing exactly what was needed - no more, no less.
He is known for his subtle use of double-stops (two notes played together) to enrich his lines without weighing down the mix.
Finally, he helped set a professional standard: instantly understanding the guitar's role in a song and playing exactly what was needed - no more, no less.
