Yamaha - EMX5016CF

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Powered Mixing Desk

Mixer Amplified microphones Inputs 12 + 4 Stereos, 8 compressors, 2x500W / 4 ohms, + multi-effects

ARTICLE N° 21163
  • Ideal for orchestras or live
  • Amplified Mixer YAMAHA EMX5016CF
  • Equipped with 12 microphone inputs + 4 stereo
  • Amplification 2x500 W / 4 Ohms
  • Equipped with 6 compressors
  • Digital Graphic Equalizer
  • Anti-Feedback
  • Integrated Maximizer
  • XLR inputs, and RCA Jack
  • Releases by JACK, RCA
The mixer offers EMX5016CF amplified 500 W stereo, outstanding effects, graphic EQ, compressor and an integrated feedback suppressor.
The EMX5016CF offers all the comfort of an integrated mixer amplified thanks to a large input capacity, flexible features and superior sound, qualities demanded by live sound systems. The EMX5016CF gives a whole new meaning to the standard definition of "mixer amplified", opening the way for a professional sound amplification.
RMS power at 4 ohms / channel
 500 W
Aux tracks
 4
The configuration 16 multipurpose inputs suits various source requirements

The EMX5016CF has a total of 16 input channels - eight for monaural or stereo line input plus four pairs microphone. The stereo channel pairs can function as monaural microphone inputs or stereo line inputs. This system offers you extra microphone inputs if your sources are mostly microphones, or if you need to handle more stereo sources the EMX5016CF supports smoothly four pairs in addition to eight monaural microphone or line inputs. Switchable phantom power is provided for all input microphone.
Advanced Channel EQ

A 3-band equalizer is available on all input channels but greater versatility is provided on the eight mono channels with medium frequency sweep controls. The mean EQ center frequency can be scanned continuously from 250 Hz to 5 kHz so you can highlight exactly the frequencies in the range of medium critical frequencies, providing significantly enhanced equalization potential.
I / O for broad expansion and integration

Everything you need to create a powerful and efficient live system is the EMX5016CF, a pair of speakers or two, and your sources. But it includes many inputs and outputs that allow it to be extended through external equipment or be integrated into larger systems. Insert connection points on the mono input channels, for example, let you add an external signal processing to specific input channels. And although throughout the listening power and effects you're likely to use are integrated, external AUX and EFFECT shipments allow you to route the mixer signals to external signal processing and / or listening systems, where appropriate. The main stereo outputs, secondary and registration is also provided.
Compression by a single button on mono channels

The EMX5016CF features compressors on all monaural microphone channels / online that can help them better integrate voice to the mix, which gives you the sound of compressed fluid guitar, which produces most dynamic and serious, one way general, refine your mixes in various ways. These single button compressors are surprisingly easy to use. They do not contain multiple commands attack, threshold, gain and the like - just set the COMP command on the desired amount of compression.
Digital graphic equalizer 9 bands with presets and memory

This stereo graphic equalizer 9 advanced digital tape goes far beyond conventional analog type with optimized control interface, instant-recall presets, and user memory location. It also works with the console innovative system Frequency Response Correction (see below) to control unprecedented response curves. Of course, you can manually adjust each band from scratch but you can also use one of the presets - VOCAL (vocal), DANCE (dance) or SPEECH (speech) - as a starting point and make changes from that base . You also have three user memories into which you can store your own EQ curves for instant recall, if necessary.
System FRC (Frequency Response Correction)

Set an output equalizer live sound system to match the response of a room is normally a complicated process requiring noise generators, calibrated microphones, real-time analyzers and much time and experience. The EMX5016CF supports the entire process automatically, using pink noise or a recorded music source you supply. To match precisely the system response to the room where you are, all you need to do is set up a microphone in an appropriate location, connect it to channel 1, press MEASURE / CORRECT (measure / fix) once to take measurements, and again to automatically adjust the graphic equalizer for optimized response. Equalizer parameters can then be stored in one of the user memory for later recall, if necessary.
Automatic deletion of return

Although the graphic equalizer can be used for the feedback control, the EMX5016CF provides suppression system back which is dedicated to this task. The return Suppressor works by detecting the frequency of the return on the stereo bus and applying notch filters to eliminate feedback. The return suppressor includes an AUTO mode that automatically keeps track of the frequency and attenuates the return for you, and an intelligent manual mode that allows you to highlight the points of return and mitigate one by one.
"Maximizer" multiband

The "maximizer" of the EMX5016CF is an advanced compressor 3 bands that can be applied to the stereo bus for a more dynamic sound in "foreground". Simply press the MAXIMIZE switch (maximize) to instantly give the mix more presence and impact without sacrificing musical subtlety.
Yamaha SPX effects processors dual

The EMX5016CF includes not one but two processors of digital integrated high-performance Yamaha SPX effects! You might only need ambience effects such as reverb and delay for live sound applications - and the EMX5016CF includes reverb and delay among the most sought - but if you need to Other effects you have on hand, and you can use two different effects simultaneously. Each effect processor offers a selection of 16 quality effects, including reverb, echo, chorus, flanger, phase modulator and even distortion, with editable parameters that allow you to customize each effect.
Aux Sends Double

The shipping orders AUX 1 and AUX 2 switch with pre / post fader adjust the level of the channel signal sent to the auxiliary nozzles for listening or sending externalities. The availability of two AUX sends provides tremendous flexibility for routing and effects of listening. You can, for example, use the EFFECT controls (effect) channels to control the send level to the internal SPX effect processor while using AUX 2 to feed an external effects unit, and AUX 1 to feed a system listening scene.

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