Collision Devices - Tars Silver On White
315,83 €
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including eco-part : 0,90 €
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Electric Guitar Effects
Tars Silver On White from Collision Devices is a fuzz/distortion pedal that blends the worlds of guitar and synth. It offers a powerful, crackling sound, with a filter, for creating noisy textures on any instrument.
ARTICLE N° 91389
Presentation
The Tars Silver On White pedal from Collision Devices is a blend of fuzz and filter that offers a wide variety of sounds, from brilliant crackle to intense distortion. It's inspired by black holes, and its sleek design makes it one of a kind. It's compatible with all instruments.
The Tars is derived from the flagship Black Hole Symmetry model and features the Singularity fuzz circuit. This circuit is based on a germanium diode for a warm, crackling sound. The gain is adjustable, allowing you to obtain a sound ranging from the most subtle to the most powerful.
A filter derived from the Korg MS-20 synthesiser has been added to this fuzz circuit. This filter is capable of creating noisy, piercing textures. It can be driven via 2 faders to control the frequency and intensity of the filter. The filter can also be controlled via an expression pedal to create wah-wah or filter sweep effects.
This effect offers a variety of sounds, from crackling fuzz for rock or metal riffs, to powerful fuzz for solos or breaks, to noisy textures for experimental ambiences.
Tars Silver On White offers exceptional musical versatility, suitable for a wide range of genres, it will appeal to musicians looking for boldness and creativity.
The Tars is derived from the flagship Black Hole Symmetry model and features the Singularity fuzz circuit. This circuit is based on a germanium diode for a warm, crackling sound. The gain is adjustable, allowing you to obtain a sound ranging from the most subtle to the most powerful.
A filter derived from the Korg MS-20 synthesiser has been added to this fuzz circuit. This filter is capable of creating noisy, piercing textures. It can be driven via 2 faders to control the frequency and intensity of the filter. The filter can also be controlled via an expression pedal to create wah-wah or filter sweep effects.
This effect offers a variety of sounds, from crackling fuzz for rock or metal riffs, to powerful fuzz for solos or breaks, to noisy textures for experimental ambiences.
Tars Silver On White offers exceptional musical versatility, suitable for a wide range of genres, it will appeal to musicians looking for boldness and creativity.
Other features
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Collision Devices Tars Silver On White
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Effect for electric guitar
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Type : Fuzz
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Analog circuit
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Made in France
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Controls : Gain, Master, CutOff, Res(onance), LPF VOL, 2P/4P, Add Fuzz switch (On/Off), S / P switch
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Pedal control input: EXP/CV
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Footswitch: On, Off
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Effect True Bypass
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Status LEDs: On
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Connections :
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Input / Output: Ø6.35 mm TS jack
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Power supply :
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Mains adapter: 9 V DC not supplied
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AC adaptor plug: cylindrical 2.1 x 5.5 mm
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Power consumption: 0.250 A
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Negative polarity inside
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No battery operation possible
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Dimensions: 120 x 90 x 55
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Weight: 320 g
To find out more...
- Find out more :
- Controls :
- Gain: placed after input level transistor Jfet and followed by silicon gain and clipping levels.
- Master: Main volume
- CutOff: This fader controls the cut-off frequency of the MS-20 low-pass filter. Based on an LM13700 stage. Ranges from 15Hz to 44kHz
- Resonance: Increases the signal intensity around the cut-off frequency.
- Lpf Vol: VCA - adjusts the output volume of the filter. Very useful for adjusting the filter to your configuration
- 2p/4p toggle switch: Selects the attenuation curve. Cuts at -12dB/octave (2p) or -24dB/octave (4p).
- Add Fuzz switch (On/Off): Adds an additional, unfiltered fuzz signal. The result is louder and creates cold frequencies that are amplified or reduced depending on the cut-off position.
- Switch S / P: Allows you to pass the fuzz through the filter in series - or use both effects in //.
- Expression / CV : The Expression/CV control is linked to the cutoff fader. The value of the cut-off fader defines the lowest value that the EXP pedal can reach.
- Controls :
- Gain: placed after input level transistor Jfet and followed by silicon gain and clipping levels.
- Master: Main volume
- CutOff: This fader controls the cut-off frequency of the MS-20 low-pass filter. Based on an LM13700 stage. Ranges from 15Hz to 44kHz
- Resonance: Increases the signal intensity around the cut-off frequency.
- Lpf Vol: VCA - adjusts the output volume of the filter. Very useful for adjusting the filter to your configuration
- 2p/4p toggle switch: Selects the attenuation curve. Cuts at -12dB/octave (2p) or -24dB/octave (4p).
- Add Fuzz switch (On/Off): Adds an additional, unfiltered fuzz signal. The result is louder and creates cold frequencies that are amplified or reduced depending on the cut-off position.
- Switch S / P: Allows you to pass the fuzz through the filter in series - or use both effects in //.
- Expression / CV : The Expression/CV control is linked to the cutoff fader. The value of the cut-off fader defines the lowest value that the EXP pedal can reach.
