Marcus Miller - Z3 5 Cordes LH Sparkle Black
New
415,83 €
excl VAT
Out of stock
Guarantee 3
years
Fred
Eric
Do you need help?
Lefthanded Bass
Sire Marcus Miller Z3 5 Strings LH Sparkle Black
ARTICLE N° 122228
Features
Body shape
Type Jazz Bass
Tuning machine
Standard tuners, Open tuners
Number of strings
5
Instrument size
Long scale (34")
Number of frets
22
Body Type
Solid body
Nut width
45,00 mm (1,772")
Neck material
Maple
Fingerboard material
Maple
Scale length
863,00 mm (34,00")
Pickup type
Actives
Fingerboard radius
304 mm (11,968")
Body material
Mahogany
Hardware color
Chrome
Electronic
Active
Cutaway
Yes
Pickguard color
Black
Left-handed instrument
Yes
Pickup setup
H
Neck shape
C
Packaging
Single unit
Color
Black
Assembly
Bolt-on neck
Artist
Marcus Miller
Other features
-
Sire Marcus Miller Z3 5 Strings LH
-
Electric bass
-
Series : Z3
-
Format: Sire Z-Bass
-
Tuning fork: 863.6 mm
-
Colour: Blue
-
Bridge : Sire Standard MM bridge
-
Neck : Hard Maple, C-Profile
-
Fingerboard : Hard Maple, Edgeless™
-
Radius : 304,8 mm
-
Number of frets : 22
-
Frets types: Medium Jumbo
-
Frets size : 2,7 mm
-
Nut: Bone, 45 mm wide
-
Tuning: Standard open tuning
-
Fittings finish: Chrome
-
Pick-up: Micro Sire Standard MM
-
Preamp: Marcus Heritage-3 (no midrange)
-
Controls: Volume, Treble, Midrange, Bass
-
Mahogany body
-
Sire Z-Bass body shape
-
Pickguard: Mint Green
-
Active 3-band EQ
-
Humbucker configuration with deep bass
-
Active preamp for modern/classical sound
-
5-steel screw neck junction plate
-
Dome-type metal knobs
-
70s design inspiration with ergonomic contour
-
Access to vintage to contemporary sounds via 3-band preamp
-
Head designed for modern performance and groove bass
To find out more...
Larry Carlton also influenced the way guitarists approach mixing in the studio: he thought of his sound 'in sound space' from the moment he played, deliberately leaving frequencies free for vocals and keyboards.
He is known for his masterful use of rhythmic delay, creating a groove slightly behind the beat that gives a feeling of controlled relaxation.
His work has served as a benchmark for defining what is now known as "transparent but essential" guitar playing in modern production.
He is known for his masterful use of rhythmic delay, creating a groove slightly behind the beat that gives a feeling of controlled relaxation.
His work has served as a benchmark for defining what is now known as "transparent but essential" guitar playing in modern production.
