Collision Devices
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TARS DLX Collision Devices
TARS DLX Collision Devices

Collision Devices - TARS DLX

390 € excl VAT
including eco-part : 0,14 €
Out of stock
Guarantee 3  years
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Electric Guitar Effects

The Collision Devices TARS DLX pedal combines two fuzz circuits and resonant analogue filters to sculpt your sound with formidable precision. From creamy distortion to abrasive textures, deep bass tones and experimental filtering effects, it opens up a vast sonic playground.

ARTICLE N° 128802
Collision Devices - TARS DLX Collision Devices - TARS DLX
390 € excl VAT
including eco-part : 0,14 €
Out of stock
Guarantee 3  years
Fred
Fred
Eric
Eric
Do you need help?
Other features
|Presentation
The Collision Devices TARS DLX pedal pushes the boundaries of saturation with two fuzz circuits and analogue filters inspired by the MS-20 synthesiser. The first circuit ranges from smooth, creamy tones to much more biting distortion as you turn up the gain. The BLAST circuit, meanwhile, generates searing, abrasive textures to give your riffs a radical edge.

The resonant low-pass and high-pass filters allow you to precisely shape the frequencies and transform the character of your sound. You can use the fuzz circuits and filters separately, in parallel or in series, to range from subtle settings to far more experimental filtering and phasing effects. Their extended low-end response is also well-suited to deep bass frequencies, making it an interesting tool for bassists.

The ADD FUZZ configuration adds filtered saturation to the fuzz signal, with the high-pass filter placed after the low-pass filter to expand the possibilities for sound shaping. The pedal can also be used as a clean blend on a bass guitar or integrated into a track in your studio mix. Whether on stage or in the studio, it allows you to refine your sound as well as explore radical textures that are out of the ordinary.

Other features

  • Collision Devices TARS DLX
  • Dual distortion/fuzz effects pedal
  • Resonant analogue low-pass and high-pass filters
  • 4-pole filters inspired by the MS-20
  • High-frequency open-circuit fuzz
  • Low-gain fuzz/distortion sound
  • Fuzz BLAST with feedback
  • ‘Burning’ sensation, massive and abrasive sounds
  • Improved frequency response
  • Suitable for very low-frequency and sub-bass sources
  • Clean blend on bass or mix insert
  • ‘ADD FUZZ’ configuration: high-pass followed by low-pass
  • Filters used as EQ or phasing
  • Fuzz and filters separately, in parallel or in series
  • Experimental feature for noise makers
- 2 fuzz circuits for switching between creamy overdrive and abrasive textures
- Resonant analogue low-pass and high-pass filters inspired by the MS-20
- Use the fuzz and filters separately, in parallel or in series
- ADD FUZZ mode to enrich the signal with filtered distortion
- Filter response optimised for deep low frequencies
- Can be used as a clean blend on a bass guitar or as an insert in a mix

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Collision Devices - TARS DLX
390 € excl VAT