D'Angelico - Excel SS SOHO Dark Cherry Burst
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Guitar Hollow Body
D'Angelico Excel SS SOHO Dark Cherry Burst D'Angelico presents the Excel SS Soho Dark Cherry Burst, featuring a fully hollow body made from laminated flamed maple, a floating ebony bridge and a Kent Armstrong Jazzy Joe pickup for a warm, woody harmonic tone. Developed in collaboration with Mark Whitfield; case included.
ARTICLE N° 125012
Presentation
In the hands of a luthier, the laminated spruce of the top reveals its true nature: a fully hollow body that amplifies every nuance, finished in a Dark Cherry Burst gradient over a laminated flamed maple back and sides (back and sides: Trans Dark Cherry without gradient). Born out of a collaboration with guitarist Mark Whitfield, this Single Cutaway measures 381 mm wide by 44.45 mm deep, edged with a five-ply body binding.
The three-piece neck, set into the body, features a C-shaped profile with a thickness increasing from 20 mm at the first fret to 22 mm at the twelfth, finished in a gloss varnish. The generous ebony fingerboard, with a radius of 406.4 mm, features 22 Jescar 47/104 nickel-silver frets and Split Block mother-of-pearl inlays, set within a three-ply binding. The 42.86 mm Tusq nut and the double-action truss rod, located beneath the Skyscraper plate signed by the artist, maintain intonation across a scale length extended to 635 mm — the natural range for D’Angelico Electrozinc 12-52 strings.
The floating ebony bridge allows the body to breathe, whilst the Stairstep tailpiece channels the tension cleanly. A single floating Kent Armstrong Jazzy Joe pickup — a mini-humbucker with a mellow tone — is controlled via volume and tone controls, featuring 500 kΩ potentiometers and ebony knobs. Grover 509 locking tuners and lockable strap buttons, gold-plated like all the hardware, complete the Throwback Scroll-Style headstock. Made in Korea, this Excel SS finds its voice in jazz and mellow blues, complemented by its included gig bag.
The three-piece neck, set into the body, features a C-shaped profile with a thickness increasing from 20 mm at the first fret to 22 mm at the twelfth, finished in a gloss varnish. The generous ebony fingerboard, with a radius of 406.4 mm, features 22 Jescar 47/104 nickel-silver frets and Split Block mother-of-pearl inlays, set within a three-ply binding. The 42.86 mm Tusq nut and the double-action truss rod, located beneath the Skyscraper plate signed by the artist, maintain intonation across a scale length extended to 635 mm — the natural range for D’Angelico Electrozinc 12-52 strings.
The floating ebony bridge allows the body to breathe, whilst the Stairstep tailpiece channels the tension cleanly. A single floating Kent Armstrong Jazzy Joe pickup — a mini-humbucker with a mellow tone — is controlled via volume and tone controls, featuring 500 kΩ potentiometers and ebony knobs. Grover 509 locking tuners and lockable strap buttons, gold-plated like all the hardware, complete the Throwback Scroll-Style headstock. Made in Korea, this Excel SS finds its voice in jazz and mellow blues, complemented by its included gig bag.
Features
Body shape
Single Cut
Body Type
Hollow body
Scale length
635,00 mm (25,00")
Instrument size
4/4, standard
Top material
Laminated Spruce
Body material
Maple
Side material
Flamed maple
Back material
Flamed maple
Number of frets
22
Nut width
42,86 mm (1,686")
Fingerboard material
Ebony
Pickup type
Passives
Fingerboard radius
406 mm (16,00")
Hardware color
Gold
Tuning machine
Locking
String gauge
012 - 052
Electronic
Passive
Cutaway
Yes
Bridge configuration
6 saddles
Pickguard color
Bois Naturel
Number of strings
6
Weight
3,6 kg
Finish
Brilliant
Pickup setup
H
Neck shape
C
Bridge material
Ebony
Color
Cherry, Burst
Assembly
Set neck
Case or cover included
Gigbag
Artist
Mark Whitfield (The Marksman)
Packaging
Single unit
Other features
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Model: D'Angelico Excel SS Soho Dark Cherry Burst
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Instrument type: Electric guitar
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Series: Excel
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Body style: Single cutaway (hollow-body)
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Scale length: 635 mm (25")
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Colour: Dark Cherry Burst (top), Trans Dark Cherry (back and sides, no gradient)
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Finish: Gloss
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Top: Laminated spruce
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Sides: Laminated flamed maple
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Back: Laminated flamed maple
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Bridge: Floating ebony
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Neck: 3-piece
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Fingerboard: Ebony
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Radius: 406.4 mm (16")
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Truss rod: Double-action
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Number of frets: 22
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Fret types: Jescar 47/104 nickel silver
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Fret dimensions: 47/104
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Nut: Tusq, width 42.86 mm (1 11/16")
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Bridge saddle: Not specified
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Tuners: Grover 509 Super Rotomatic locking tuners
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Hardware finish: Gold
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Pickup: 1 Kent Armstrong Jazzy Joe floating mini-humbucker
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Preamp: Not specified
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Controls: 1 Volume / 1 Tone
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Original strings: D’Angelico Electrozinc 12-52
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Other features
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Hollow-body (fully hollow body)
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Developed in collaboration with Mark Whitfield
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Body depth: 44.45 mm (1.75")
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Body width: 381 mm (15")
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Body shape: Single Cutaway
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Neck profile: C
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Set neck
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Neck thickness: 20 mm at the 1st fret
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Neck thickness: 22 mm at the 12th fret
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Neck finish: Gloss
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Fretboard inlays: Split Block mother-of-pearl
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Side inlays: Yes
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Fretboard binding: 3-ply
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Headstock binding: 7-ply
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Body binding: 5-ply
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Headstock shape: Throwback Scroll-Style
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D’Angelico New York logo in mother-of-pearl
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Throwback Excel Series Shield logo in mother-of-pearl
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Skyscraper aluminium truss rod plate with the artist’s signature
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String guide (headpin): None
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Serial number on the back of the headstock with model name
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D’Angelico Stairstep tailpiece
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Macassar Ebony Scalini pickguard with dark satin finish, 5-ply
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Backplate: None
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Pickup selector: None
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Neck pickup: Kent Armstrong Jazzy Joe Floating Mini Humbucker
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Middle pickup: None
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Bridge pickup: None
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Potentiometers: 500 kΩ
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2 ebony control knobs
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Gold-plated locking strap buttons
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Jack socket: Standard mono
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Gig bag included
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Made in Korea
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Weight: 3.67 kg
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Measurements converted to millimetres
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Scale length: 635 mm
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Fingerboard radius: 406.4 mm
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Nut width: 42.86 mm
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Body depth: 44.45 mm
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Body width: 381 mm
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Neck thickness at the 1st fret: 20 mm
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Neck thickness at the 12th fret: 22 mm
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D'Angelico is a New York brand of electric guitars that has existed since 1938. First went unnoticed because the guitars were manufactured only by hand in a very small workshop by two luthiers; it is in 2011, at a show at the New York's Metropolitan Museum of Art, that D'Angelico is noticed. Since then, D'Angelico guitars have been a real success thanks to their quality of manufacture and their price.
