Marcus Miller - V7 Ash Reissue 4 Cordes Tobacco Sunburst Satin
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Electric Bass
Sire Marcus Miller V7 Ash Reissue 4 Strings Tobacco Sunburst Satin
ARTICLE N° 122551
Features
Body shape
Type Jazz Bass
Type of tuners
Open tuners
Number of strings
4
Instrument size
Long scale (34")
Number of frets
20
Body Type
Solid body
Neck material
Maple
Fingerboard material
Maple
Scale length
863,00 mm (34,00")
Top material
Marais ash
Fingerboard radius
241 mm (9,50")
Body material
Marsh ash
Hardware color
Chrome
Electronic
Active and passive
Cutaway
Yes
Pickguard color
White Pearl
Artist
Marcus Miller
Finish
Satin
Pickup setup
JJ
Neck shape
C
Packaging
Single unit
Color
Tobacco, Sunburst
Assembly
Bolt-on neck
Other features
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Sire Marcus Miller V7 Ash Reissue 4 Strings
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Electric bass
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Series : V7
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Format : 4 strings
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Pitch: 863.6 mm
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Colour : Tobacco Sunburst Satin
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Finish : Satin
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Top : Swamp ash + poplar burr veneer
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Sides : Swamp ash
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Back : Swamp ash
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Bridge : Marcus Heavymass II (new model)
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Neck : Hard maple, C profile
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Fingerboard : Edgeless™ hard maple (rounded fret edges)
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Radius: 241.3 mm
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Number of frets: 20
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Frets types: Medium
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Fret size: 2.4 mm
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Nut: Bone, width 38 mm
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Tuning: Premium open tuning
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Fittings finish: Chrome
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Pickup: Marcus Super-J Revolution pickup set
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Preamp: Marcus Heritage-3 with midrange frequency control (3-band preamp)
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Controls: Volume/Tone, Blend, Treble, Midrange/Frequency, Bass
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Swamp ash body
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Marcus Miller J body shape
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Ivory pearloid 3-ply pickguard
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Fingerboard markers in white pearloid blocks
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Neck fixed with 4-screw steel plate
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String spacing 19 mm
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Black plastic jazz buttons
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Active/passive switch integrated into preamp
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Marcus Miller Super-J Revolution concept
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Reissued following a worldwide shortage of swamp ash in 2021
To find out more...
In several of his projects, Marcus Miller uses traditional African percussion to broaden the rhythmic palette of his compositions. These instruments provide organic textures that contrast with modern electronic sounds. This combination creates a distinctive sonic identity, blending tradition and innovation. Miller sees these influences as a way of reconnecting contemporary music with its historical roots.
