EMG - 57TW Floyd Brushed Chrome
120,83 €
excl VAT
including eco-part : 0,07 €
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Guitar Microphone
Designed with Floyd and thick necks in mind, this EMG 57TW Floyd Long Shaft Brushed Chrome pickup is packed with options. The push-pull switches noiselessly between humbucker and single coil. The hybrid alnico and steel magnets keep the voltage well balanced. Every detail is aimed at unmistakable precision, and all the wiring is included.
ARTICLE N° 107947
Presentation
This EMG 57TW Floyd Long Shaft Brushed Chrome pickup is for players who want to stay in control. Its integrated push-pull system lets you change voicing without taking your hands off the instrument. Triple active windings, stable voltage, precise attack: every element pushes you towards effective timbre.
The single mode remains taut and brilliant at 3.47 kHz. The double mode thickens around 1.77 kHz. The output level rises to 4.5 V strum, with no annoying background noise.
The internal structure accepts a power supply of up to 27 volts. The unit consumes very little power, around 160 μA at 9V, with a battery life of well over 1000 hours.
The set contains everything: TW cables, bus, stereo jack, screws, foam, clear diagram. There are no soldering points, so assembly is quick and clean.
This pickup remains stable even in heavy configurations. It supports expressive playing without saturation or artifice. A straightforward solution for changing texture without altering the attack.
The single mode remains taut and brilliant at 3.47 kHz. The double mode thickens around 1.77 kHz. The output level rises to 4.5 V strum, with no annoying background noise.
The internal structure accepts a power supply of up to 27 volts. The unit consumes very little power, around 160 μA at 9V, with a battery life of well over 1000 hours.
The set contains everything: TW cables, bus, stereo jack, screws, foam, clear diagram. There are no soldering points, so assembly is quick and clean.
This pickup remains stable even in heavy configurations. It supports expressive playing without saturation or artifice. A straightforward solution for changing texture without altering the attack.
Other features
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EMG 57TW Floyd Brushed Chrome
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Series: EMG TW Series
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Type : Dual mode microphone (humbucker / single coil)
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Triple-coil active pickup
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Trem spacing (Floyd/Fender) 52 mm
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Long shaft potentiometer (Les Paul) 19 mm
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Humbucker/single-coil selection via push-pull
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Magnets : Alnico + steel (hybrid)
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Single resonance frequency: 3.47 kHz
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Double resonance frequency: 1.77 kHz
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String output voltage: 2.00V (single)
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String output voltage: 3.00V (double)
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Strum output voltage: 3.00V (single)
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Strum output voltage : 4.50V (double)
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Output impedance : 10 kΩ
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Noise floor : -107 dBV (60 Hz)
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Power consumption: 160 μA at 9V
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Maximum power supply: 27V DC
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9V battery life: approx. 1500 hours
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Active humbucker format
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Thickness: 28 mm (1.1")
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Standard EMG height: 23 mm (0.9")
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Direct mounting or with springs supplied
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Integrated single/double coil switching
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Volume master
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Volume pickup
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Tone master
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Tone pickup
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Terminals H1 to H6
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Solderless assembly possible
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1 Push-Pull potentiometer 25K (volume/tone)
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1 output cable (15 cm)
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2 connector cables (14 cm)
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1 battery cable (18 cm)
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1 TW pickup cable (38 cm)
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1 B245 Pickup Buss
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2 passive tone controls (25K)
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Stereo output jack
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Foam for 9V battery
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Mounting springs and screws
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Full manual with wiring diagrams
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Length: 78.5 mm
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Height: 28 mm
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Depth: 38.1 mm
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Approximate weight: 390 g (with pot and wiring)
To find out more...
In the studio, you can use the left/right split to sculpt the space. The single coil on the left, the double on the right: it's clean. The EMG 57TW Floyd Brushed Chrome evokes a crystalline Strat, not a clattering Tele. This peak at 3.47 kHz adds air to the mix. On double, the bass remains taut, never fuzzy.
As for the midrange, it adds substance. Plugged into a hollowed Dual Rectifier, this model keeps its place. It pushes back saturation rather than drowning in it. No filter crushes its dynamics. This sonic duality serves both the riff and the fine harmonisation.
As for the midrange, it adds substance. Plugged into a hollowed Dual Rectifier, this model keeps its place. It pushes back saturation rather than drowning in it. No filter crushes its dynamics. This sonic duality serves both the riff and the fine harmonisation.
