Electric Bass
Refine your groove with the Ibanez SR500A MHL bass. Its okoume body and Bartolini® BH2 pickups produce a clear, defined tone. The torrefied maple neck remains stable in all conditions. Switch between active and passive sounds with a simple click.
ARTICLE N° 117159
Presentation
You want a four-string bass that serves as a solid foundation, without unnecessary frills, the SR500A MHL from Ibanez understands the assignment. Its okoume body isn't there for decoration, but for its acoustic profile: a clear, direct response, without the overly heavy low frequencies that weigh down a mix. You lay down lines, not sonic mush.
The soul of the instrument lies in its pickups. Bartolini® BH2s are passive and designed with a smooth, progressive response. What this means for your ears is tight lows that don't spill over, and punchy mids that give body to your fingerpicking. They respond to the dynamics of your hand, not to a circuit that compresses it all.
The electronics are a major asset. The Ibanez 3-band preamp with midrange frequency selector gives you total control to sculpt your place on stage or in the studio. The clincher? The bypass switch. In passive mode, you have access to the warm, organic sound of Bartolini pickups, perfect for blues, soul or roots rock. In active mode, you can boost the frequencies needed for a modern pop or funk track.
The construction is designed for everyday use. The five-piece neck made from roasted maple and walnut is more resistant to changes in humidity than a standard neck. It's peace of mind when you're on the move between the icy car and the overheated rehearsal room. The MR5S bridge and precision tuning machines keep you in tune. You concentrate on the music, not the maintenance. This is a bass that does its job reliably.
The soul of the instrument lies in its pickups. Bartolini® BH2s are passive and designed with a smooth, progressive response. What this means for your ears is tight lows that don't spill over, and punchy mids that give body to your fingerpicking. They respond to the dynamics of your hand, not to a circuit that compresses it all.
The electronics are a major asset. The Ibanez 3-band preamp with midrange frequency selector gives you total control to sculpt your place on stage or in the studio. The clincher? The bypass switch. In passive mode, you have access to the warm, organic sound of Bartolini pickups, perfect for blues, soul or roots rock. In active mode, you can boost the frequencies needed for a modern pop or funk track.
The construction is designed for everyday use. The five-piece neck made from roasted maple and walnut is more resistant to changes in humidity than a standard neck. It's peace of mind when you're on the move between the icy car and the overheated rehearsal room. The MR5S bridge and precision tuning machines keep you in tune. You concentrate on the music, not the maintenance. This is a bass that does its job reliably.
Features
Number of strings
4
Instrument size
Long scale (34")
Number of frets
24
Neck material
Walnut
Fingerboard material
Rosewood
Scale length
864,00 mm (34,02")
Pickup type
Passives
String gauge
045 - 105
Fingerboard radius
305 mm (12,00")
Hardware color
Black
Electronic
Active and passive
Cutaway
Yes
Bridge configuration
4 saddles
Finish
Lacquer, Satin
Pickup setup
HH
Color
Burst, Brown
Other features
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Ibanez SR500A MHL
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4-string electric bass
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String length : 864 mm / 34"
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Colour : Mahogany Brown Burst Low Gloss (MHL)
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Finish : Satin varnish
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Sides : Okoume
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Back : Okoume
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Bridge : MR5S bridge
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Neck : SR 5-piece torrefied maple / walnut neck
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Fingerboard : Rosewood with oval mother-of-pearl markings
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Radius : 305 mm
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Number of frets : 24
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Frets type : Medium
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Saddle: Adjustable saddles on MR5S bridge (±1.5 mm)
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Fittings finish: Black
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Pickups: Bartolini® BH2 neck and bridge pickups (passive)
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Pre-amp: Ibanez Custom 3-band electronics with EQ bypass and 3-position mid-frequency switch
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Controls: Treble, Mid, Bass, EQ bypass switch, 3-position mid-frequency switch
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Original strings: D'Addario® EXL165 (.045/.065/.085/.105)
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String spacing: 19 mm
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Neck width: 38 mm at saddle, 62 mm at 24ᵉ fret
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Neck thickness: 19.5 mm at the 1ʳᵉ fret, 21.5 mm at the 12ᵉ fret
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Factory tuning: 1G, 2D, 3A, 4E
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Recommended case: MB300C
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Recommended case: IBB540-BK
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Ibanez electronics: active or passive operation
Videos
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