Marcus Miller - M2 4 Cordes LH Transparent Black
New
332,50 €
excl VAT
including eco-part : 0,90 €
Out of stock
Guarantee 3
years
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Lefthanded Bass
Sire Marcus Miller M2 4 Strings LH Transparent Black
ARTICLE N° 122172
Features
Tuning machine
Standard tuners
Number of strings
4
Instrument size
Long scale (34")
Number of frets
24
Body Type
Solid body
Neck material
Maple
Fingerboard material
Rosewood
Scale length
863,00 mm (34,00")
Fingerboard radius
304 mm (11,968")
Body material
Mahogany
Hardware color
Black
Electronic
Active and passive
Cutaway
Yes
Left-handed instrument
Yes
Pickup setup
HH
Neck shape
C
Packaging
Single unit
Color
Transparent, Black
Assembly
Bolt-on neck
Artist
Marcus Miller
Other features
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Model : Sire Marcus Miller M2 4 strings left-handed
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Type of instrument : Electric bass
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Series : Not specified
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Format : Modern bass style
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Pitch : 863,6 mm (34")
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Colour : Transparent Black (TBK)
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Finish : Not specified
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Top : Not specified
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Sides : Not specified
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Back : Not specified
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Bridge : Marcus Standard Bass bridge with string-through option
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Neck : Canadian Hard Maple, C profile
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Fingerboard : Rosewood with Edgeless™ rounded fret edges
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Radius : 12" (304.8 mm)
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Trussrod : Not specified
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Number of frets : 24
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Frets types : Medium
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Frets size : Not specified
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Saddle : PPS TUSQ black, width 38 mm
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Saddle nut : Not specified
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Tuning machines: Basic die-cast tuning machines
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Fittings finish: Black
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Pickups: Marcus Blue humbuckers
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Preamp: Sire Standard 2-band preamp
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Controls: Volume / tone (dual potentiometer), mic mix, treble, midrange / midrange frequency (dual potentiometer), bass, mini active/passive switch
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Mahogany body
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Modern electronic configuration
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String spacing: 20 mm
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White mother-of-pearl dot fingerboard markings
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Neck attachment 4 screws with individual sockets
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Neck and fingerboard with Edgeless™ rolled edges
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Integrated midrange frequency selection option
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Full black hardware
To find out more...
Marcus Miller is also renowned for his ability to transform technical constraints into an artistic signature. He frequently uses 5-string basses to broaden his lower register, enabling him to create more orchestral and deeper lines, akin to a modern double bass role.
In the 2000s, he developed a more 'world jazz' aesthetic, incorporating African, Caribbean and Oriental grooves into his compositions. This openness is reflected in his collaborations with international musicians on global tours.
He is heavily involved in the sound production of his albums, often controlling the final mix to achieve a precise balance between analogue warmth and digital clarity, a signature that has become instantly recognisable in his work.
In the 2000s, he developed a more 'world jazz' aesthetic, incorporating African, Caribbean and Oriental grooves into his compositions. This openness is reflected in his collaborations with international musicians on global tours.
He is heavily involved in the sound production of his albums, often controlling the final mix to achieve a precise balance between analogue warmth and digital clarity, a signature that has become instantly recognisable in his work.
