Rme - M-1620 Pro Milan
New
2 390,83 €
excl VAT
Out of stock
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Guarantee 3
years
Anais
Tristan
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The RME M-1620 Pro Milan fits into your rack and connects your analogue world to a digital audio network with almost disconcerting ease, without ever complicating your routines. You manipulate 16 inputs and 20 outputs with stable precision, and keep direct control thanks to a clear front panel. This equipment is as much for stage as for fixed installation, and it accompanies your signals with a regularity that makes you want to entrust it with even your most capricious cables.
ARTICLE N° 120541
Presentation
You can adjust each line input up to +24dBu, adapting the behaviour of the RME M-1620 Pro Milan to a wide variety of sources without losing clarity or sonic balance. This flexibility allows you to use both nervous synths and generous analogue effects, while maintaining overall coherence. Your signal remains legible, and you feel that each setting acts with precision without causing any unnecessary surprises.
Paragraph 2: 566 characters, 78 words
With its MADI, ADAT and Milan connections, the RME M-1620 Pro Milan can be integrated into already well-stocked environments, and you can easily link different equipment without redesigning your entire installation. You can circulate up to 128 channels at 48 kHz, and maintain constant latency, which is reassuring for sensitive projects. This stable operation means you can envisage ambitious configurations without fear of unpredictable reactions to the slightest change.
Paragraph 3: 493 characters, 70 words
The front panel of the RME M-1620 Pro Milan gives you access to LED meters combined with an easy-to-read display, so you can adjust your settings without using a computer. This direct interaction speeds up operation, especially when you need to check a level or change a routing quickly. So you're in immediate control of your audio flow, even in situations where time flies faster than a well-started solo.
Paragraph 4: 548 characters, 75 words
You benefit from network and MADI redundancy, as well as a monitored dual power supply, and the RME M-1620 Pro Milan secures your installation with constant vigilance. In the event of an anomaly, the system gives you a clear indication of the situation, so there's no need for endless diagnostics. This approach allows you to work with serenity, even in contexts where an interruption would be frankly unwelcome, such as a concert or an important recording.
Paragraph 5: 511 characters, 72 words
Thanks to its comprehensive internal routing, the RME M-1620 Pro Milan lets you direct any input to the headphone or digital outputs without complicated configuration. You can organise your streams logically, and test different combinations in a matter of moments. This flexibility makes it easy to check and adjust, and gives an impression of fluidity that makes handling almost natural, even after a long day.
Paragraph 2: 566 characters, 78 words
With its MADI, ADAT and Milan connections, the RME M-1620 Pro Milan can be integrated into already well-stocked environments, and you can easily link different equipment without redesigning your entire installation. You can circulate up to 128 channels at 48 kHz, and maintain constant latency, which is reassuring for sensitive projects. This stable operation means you can envisage ambitious configurations without fear of unpredictable reactions to the slightest change.
Paragraph 3: 493 characters, 70 words
The front panel of the RME M-1620 Pro Milan gives you access to LED meters combined with an easy-to-read display, so you can adjust your settings without using a computer. This direct interaction speeds up operation, especially when you need to check a level or change a routing quickly. So you're in immediate control of your audio flow, even in situations where time flies faster than a well-started solo.
Paragraph 4: 548 characters, 75 words
You benefit from network and MADI redundancy, as well as a monitored dual power supply, and the RME M-1620 Pro Milan secures your installation with constant vigilance. In the event of an anomaly, the system gives you a clear indication of the situation, so there's no need for endless diagnostics. This approach allows you to work with serenity, even in contexts where an interruption would be frankly unwelcome, such as a concert or an important recording.
Paragraph 5: 511 characters, 72 words
Thanks to its comprehensive internal routing, the RME M-1620 Pro Milan lets you direct any input to the headphone or digital outputs without complicated configuration. You can organise your streams logically, and test different combinations in a matter of moments. This flexibility makes it easy to check and adjust, and gives an impression of fluidity that makes handling almost natural, even after a long day.
Features
Analog / digital conversion
Yes
Digital / analog conversion
Yes
Compatibility
MacOS, Windows
Maximum resolution
24 bit
Digital multi-channel / network
MADI, Ethernet
Power supply
220 V
Packaging
Single unit
19" rack
1U
Connectors
RJ45, null, BNC female, D-Sub 25
Other features
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RME M-1620 Pro Milan
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A/D D/A converter
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Sampling: 44.1 ⭢ 192 kHz
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Resolution: 24 bits
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A/D conversion: 16 channels
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D/A conversion: 20 channels
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Input levels: switchable per channel +24 dBu / +19 dBu / +13 dBu @ 0 dBFS
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Output levels: switchable per channel +24 dBu / +19 dBu / +13 dBu @ 0 dBFS
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Input signal-to-noise ratio: up to 120.7 dBA
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Output signal-to-noise ratio: up to 119.9 dB RMS
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Input frequency response: 5 Hz ⭢ 20.5 kHz
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Output frequency response: 0 Hz ⭢ 85 kHz
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Harmonic distortion (THD): < -120 dB / < 0.0001%.
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Crosstalk: > 110 dB
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Clock processing: SteadyClock FS (jitter reduction)
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Internal routing: integrated routing matrix
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Monitoring: 2 independent headphone outputs with direct routing
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Network interface: Milan (IEEE 1722.1 ATDECC)
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Redundancy: dual network & dual MADI & Alim
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Connectors :
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Analogue inputs: 16× balanced line (impedance 9.5 kΩ)
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Digital inputs: MADI coaxial BNC + ADAT + Milan
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Analogue outputs: 16 x balanced line (200 Ω balanced / 100 Ω unbalanced)
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Digital outputs: MADI coaxial BNC + ADAT + Milan
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Headphone outputs: 2 x 6.35 mm TRS jack ∅
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Word Clock : BNC
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Power supply: 230 V∿ 50 Hz + redundant ⎓ input
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Format: 19" 1U rack
To find out more...
RME develops audio interfaces, converters and network solutions renowned for their stability and consistent precision. The brand designs tools that are built to last and remain reliable in a variety of contexts, and favours solid architectures that support users over the long term without unpredictable behaviour.
D - Suggested accessories and products
Paragraph 1: 263 characters, 38 words
Think about combining quality MADI coaxial cables and possibly an optical SFP module to exploit different links depending on your installation. You may also want to consider the use of accurate monitoring headphones to take full advantage of the dedicated outputs.
D - Suggested accessories and products
Paragraph 1: 263 characters, 38 words
Think about combining quality MADI coaxial cables and possibly an optical SFP module to exploit different links depending on your installation. You may also want to consider the use of accurate monitoring headphones to take full advantage of the dedicated outputs.
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Spotlight on
Since 1996, RME has been providing high-quality equipment for computer-based music recording (CBR): Converters, USB, FireWire and/or Thunderbolt audio interfaces with built-in DSP, which together with TotalMix FX offer numerous mixing, effects and even remote control features. The majority of RME's products are Mac, PC and iOS compatible, giving you the freedom to record and produce, wherever the music takes you. Whether it's for the stage or studio, you can count on your RME audio equipment to deliver the quality and reliability you expect.
