Rme - Babyface Pro FS
607,50 €
excl VAT
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Guarantee 3
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Audio Interfaces
The RME Babyface Pro FS is a compact, high-end USB audio interface ideal for studio, live and mobile setups. With 12 inputs/outputs, ultra-precise sound up to 192kHz, two crystal-clear mic preamps and full ADAT/MIDI connectivity, it offers professional reliability in all situations.
ARTICLE N° 69812
Presentation
The RME Babyface Pro FS is a USB audio interface designed for sound professionals looking for a compact, reliable and accurate solution, without compromising on audio quality. Behind its milled aluminium chassis lies high-flying conversion technology and features designed for all configurations, from mobile production studios to complex live set-ups.
This fourth generation features 12 input/output channels, with two digitally controlled transparent mic preamps, a pair of Hi-Z instrument inputs for guitar or synth, and ADAT connectivity for expanding your setup. It also features headphone outputs suitable for both high- and low-impedance headphones, via two jack formats (6.35 mm and mini-jack). Babyface Pro FS also features MIDI input/output and can operate on USB or mains power, making it perfect for both stage and mobile configurations.
The 24-bit / 192 kHz audio processing guarantees exceptionally faithful reproduction, and the SteadyClock FS system significantly improves conversion stability, with a drastic reduction in jitter. The interface also comes with TotalMix FX software, offering ultra-flexible routing and integrated DSP effects (EQ, reverb, compression), even without a DAW.
Whether you're recording vocals or guitar, mixing a live performance or calibrating a room, Babyface Pro FS is a high-precision mobile audio powerhouse, compatible with Mac, PC and even iOS via an adapter. Designed to last and evolve, it adapts to all situations, from home studios to broadcast sessions.
This fourth generation features 12 input/output channels, with two digitally controlled transparent mic preamps, a pair of Hi-Z instrument inputs for guitar or synth, and ADAT connectivity for expanding your setup. It also features headphone outputs suitable for both high- and low-impedance headphones, via two jack formats (6.35 mm and mini-jack). Babyface Pro FS also features MIDI input/output and can operate on USB or mains power, making it perfect for both stage and mobile configurations.
The 24-bit / 192 kHz audio processing guarantees exceptionally faithful reproduction, and the SteadyClock FS system significantly improves conversion stability, with a drastic reduction in jitter. The interface also comes with TotalMix FX software, offering ultra-flexible routing and integrated DSP effects (EQ, reverb, compression), even without a DAW.
Whether you're recording vocals or guitar, mixing a live performance or calibrating a room, Babyface Pro FS is a high-precision mobile audio powerhouse, compatible with Mac, PC and even iOS via an adapter. Designed to last and evolve, it adapts to all situations, from home studios to broadcast sessions.
Other features
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RME Babyface Pro FS
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USB 2.0 audio interface
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Mac and PC compatible
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12 input and 12 output channels
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4 x analogue inputs (mic, line, instrument)
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4 x analogue outputs (2 x XLR, 2 x headphones)
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1 ADAT or optical SPDIF input/output
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1 MIDI input/output
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1 USB 2.0 port (USB 3 compatible)
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Digital gain control on all inputs
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High or low impedance headphone outputs (6.35 mm jack and mini-jack)
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Ideal for : Recording studio, Live performance / DJ, Producers, Room calibration, Mobile solution
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Technical specifications :
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AD, Microphone/Line 1-2
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Input: XLR, electronically balanced
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Frequency response :
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44.1 kHz, -0.1 dB: 18 Hz - 20.8 kHz
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96 kHz, -0.5 dB: 7 Hz - 45.8 kHz
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192 kHz, -1 dB : 5 Hz - 88 kHz
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Maximum input level XLR :
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Gain 0 dB : +8 dBu, PAD+19 dBu
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Gain 65 dB : -57 dBu, PAD-46 dBu
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Input: 6.3 mm TS jack, unbalanced
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Frequency response :
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44.1 kHz, -0.1 dB : 5 Hz - 20.8 kHz
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96 kHz, -0.5 dB :
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192 kHz, -1 dB :
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Maximum input level
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+4 dBu, Gain 0 dB : +13 dBu
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10 dBV, Gain 9 dB : -5 dBu
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DA, Line Out 1-2
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Frequency response :
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44.1 kHz, -0.5 dB : 0 Hz - 20.8 kHz
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96 kHz, -0.5 dB : 0 Hz - 45 kHz
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192 kHz, -1 dB : 0 Hz - 89 kHz
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Output: XLR balanced
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Output impedance: 300 Ohm balanced, 150 Ohm unbalanced
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Output level at 0 dBFS: balanced +19 / +4 dBu, unbalanced +13 / +7 dBu
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DC @ 0 dBFS : 6.35 mm 4.8 V, 3.5 mm 2.4 V, XLR bal. 9.6 V
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DA, 3/4" PHONES
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AS DA Line Out :
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Output: 6.3 mm TRS jack, unbalanced
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Output impedance: 10 Ohm
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Output level at 0 dBFS, 1 kOhm load: +13 dBu
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Maximum power @ 0.1 THD: 60 mW
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Signal-to-noise ratio (SNR): 114.8 dB RMS unweighted, 118 dBA
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Noise level: -101.8 dBu
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Output: 3.5 mm TRS jack, unbalanced
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Output impedance: 0.1 Ohm
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Output level at 0 dBFS, 1 kOhm load: +7 dBu
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Maximum power @ 0.1 THD: 90 mW
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Signal-to-noise ratio (SNR) : 114 dB RMS unweighted, 117 dBA
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Noise level: -107 dBu
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MIDI :
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1 x MIDI I/O via connection cable with 2 x 5-pin DIN connectors
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High-speed mode: Icing and response times typically less than 1 ms
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DIGITAL :
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Clocks: Internal, ADAT In, SPDIF In
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External clock jitter suppression: > 50 dB (2.4 kHz)
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Sampling frequencies supported: 28 kHz to 200 kHz
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Digital input
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ADAT Optical
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1 x TOSLINK
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Standard: 8 channels 24 bit, up to 48 kHz
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Double speed (S/MUX): 4 channels 24-bit 96 kHz
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Quad speed (S/MUX4): 2 channels 24-bit 192 kHz
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Locking range: 31.5 kHz - 50 kHz
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Jitter suppression: > 50 dB (2.4 kHz)
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SPDIF optical
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1 x optical, to IEC 60958
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Accepts : Consumer and professional format
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Locking range: 27 kHz - 200 kHz
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Jitter suppression: > 50 dB (2.4 kHz)
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Digital outputs
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Optical ADAT
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1 x TOSLINK
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Standard: 8 channels 24 bit, up to 48 kHz
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Double speed (S/MUX): 4 channels 24-bit 96 kHz
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Quadruple speed (S/MUX4): 2 channels 24-bit 192 kHz
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SPDIF optical sampling frequency: 28 kHz to 200 kHz
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General :
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Power supply: USB bus or external power supply
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Idle power consumption: 2.8 Watts
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Typical power consumption: 3.7 Watts
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Max power consumption: 5.4 Watts
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Dimensions (WxHxD): 108 x 35 x 181 mm
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Weight: 680 g
To find out more...
The original RME Babyface audio interface was a huge success when it was released. That's why RME knew that in order to raise the bar, it needed a complete overhaul. Babyface Pro 12 inputs and 12 outputs is the result of their work. The Pro is designed to give you the quality of the original, but with great control right on its front plate, a robust and attractive aluminium housing, and virtually no need for breakout cables. The RME Babyface Pro makes it easier than ever to create the tracks you need.
Packages
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User reviews
User reviews Audio Interfaces
Babyface Pro FS Rme
/5
2 User reviews
FREDERIC A
15/07/2024
5
/5
Buy Verified
Du top qui m'a rapidement fait corriger des problèmes non perçu avant
1
0
report
JEAN-JACQUES B
08/05/2020
5
/5
Buy Verified
Pas encore utilisée dans toutes ses possibilités mais interface très bien construite et prometteuse de travail de qualité, une fois la prise en main complète.
9
0
report
Spotlight on
Since 1996, RME has been providing high-quality equipment for computer-based music recording (CBR): Converters, USB, FireWire and/or Thunderbolt audio interfaces with built-in DSP, which together with TotalMix FX offer numerous mixing, effects and even remote control features. The majority of RME's products are Mac, PC and iOS compatible, giving you the freedom to record and produce, wherever the music takes you. Whether it's for the stage or studio, you can count on your RME audio equipment to deliver the quality and reliability you expect.
