Audio Interfaces

The Fireface UFX II is the solution of choice for transferring analog and digital audio data directly to a computer. Many unique features, solution monitoring and mixing, and professional DSP effects, analog circuitry of first class, and the latest generation of converters position the Fireface UFX II on top of the audio interfaces category. Fireface UFX / UFX + UFX II: differences The Fireface UFX II succeeded to the Fireface UFX, and incorporates the superior audio quality features of the Fireface UFX +. It retains the features of the UFX in number of channels of ADAT connectivity as MADI ports instead of the UFX + USB 2 in place of the USB 3 and Thunderbolt port no. Features With exceptional compatibility and flexibility, integration Durec (USB Direct Recording), and the famous designs drivers and very low latency RME hardware, the Fireface UFX II offers a set of features that will appeal to both high-end project studios that commercial structures of audio production. With a capacity of 60 audio channels (30 inputs and 30 outputs), compatibility 192 kHz, and flexible USB connectivity, the new Fireface UFX II is an ideal solution for a wide range of applications, such as recording, mixing and monitoring. The Fireface UFX II offers excellent flexibility allowing the interface to be easily integrated into many production environments. Analog, ADAT, AES, SPDIF, 2 and USB are present as standard on the Fireface UFX II. The number of channels is also impressive: 12 analog, 16 ADAT, AES and 2 for a total of 30 input and 30 output channels. And with USB connectivity 2, the new Fireface UFX II may be add the optional remote control ARC USB RME. The Fireface UFX II is equipped with AD / DA converters grade, analog input / output circuits optimized, and provides signal / noise characteristics and harmonic distortion guaranteeing a transparent audio, great clarity. A new micro without attenuator circuit design supports a maximum input level of +18 dBu and a gain range of 75 dB, ideal for the most demanding recording situations. In addition, new low-impedance headphones-out, high-level (2 Ohms), with a maximum at +19 dBu output level offer enough power and volume to any type of helmet, high or low impedance. improved Durec (USB Direct Recording) The Fireface UFX II also includes Durec (USB Direct Recording), accessible on the front panel. Durec now includes a second generation of hardware with USB functionality and compatibility improved for reliability, even with slow USB key or multi-partitioned. ARC remote USB Remote Control - Plug'n Play More ARC USB connects to your computer via USB, and communicates directly with TotalMix FX. It has 15 freely assignable illuminated buttons, a wheel encodeuse, and a 6.35mm jack for connecting a pedal. Since its recognition by the operating system automatically detects TotalMix FX CRA USB, and communicates with the interfaces MIDI messages with simple remote control. TotalMix FX Since 2001, TotalMix offered the RME audio interfaces unlimited routing and powerful mixing options. Its unique ability to create as many independent sub-groups of outputs of channels available has made the most flexible mixer and the powerful of this type. In some products RME TotalMix FX includes a more comprehensive effects not only adding flexibility to the recording chain system, but RME audio interface giving a decisive advantage in latency level on totally software solutions. TotalMix FX can completely replace an external mixer, allowing the creation of multiple monitor mixes with no latency equalization, dynamics processing, reverb and delay on all outputs, including the main outs or headphone for musicians. TotalMix FX for iPad ™ App TotalMix FX for iPad ™ (optional) adds full control of the mixer and DSP effects for Fireface UFX + UFX II, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when they are in Class Compliant mode. It is then possible to create, save and recall complete mixes from the iPad. Connectivity • 30 input channels and 30 output channels • 12 analog inputs / outputs prémplificateurs • 4 mic / instrument digital control • 1 input / output AES / EBU • 2 ADAT I / O (1 or more ADAT optical SPDIF 1) • 1 input / output Word Clock • 2 inputs / outputs MIDI • 1 USB 2.0 port • TotalMix FX Option: Advanced Remote Control USB

ARTICLE N° 55219
  • ANALOG
  • A / D line inputs 1 8, rear • AN
  • Resolution: 24 bit
  • • Signal / noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
  • • Frequency Response @ 44.1 kHz 0.1 dB 5 Hz - 20.8 kHz
  • • frequency response @ 96 kHz, 0.5 dB: 3 Hz - 45.8 kHz
  • • frequency response @ 192 kHz 1 dB: 2 Hz - 92 kHz
  • • THD: < 110 dB <0.00032%
  • • THD + N < 104 dB <0.00063%
  • • Channel separation:> 110 dB
  • • max input Level. : +19 DBu
  • • Input: 6.35 mm,
  • electronically balanced • Input impedance: 8 asymmetrical kOhm, 12 kOhm balanced
  • • switchable input sensitivity: Lo Gain, +4 dBu
  • • Input level to 0 dBFS @ Lo Gain: +19 dBu
  • • input Level for 0 dBFS @ +4 dBu: +13 dBu
  • • variable Gain: 0 to +12 dB • Level
  • min. for 0 dBFS: +1 dBu, dBV 1.2
  • microphone inputs 9 12, before
  • As A / D, but:
  • • Input: XLR, electronically symétrei
  • • Input Impedance: 3.4 kOhm
  • • Signal / noise (SNR): 115 dB RMS unweighted, 118 dBA
  • • gain range: 75 dB •
  • max input level, gain 0 dB: +18 dBu •
  • max input level, gain 75 dB.. 57 dBu LED
  • • clipping: 0 dBFS
  • • signal LED: 60 dBFS
  • instrument inputs 9 12, before
  • As A / D, but:
  • • Input: 6.3 mm TS jack, unbalanced Impedance •
  • input: 1 MOhm
  • • signal / noise ratio (SNR): 114 dB RMS unweighted, 118 dBA
  • • Gain range: 42 dB
  • • maximum input Level, Gain 8 dB. +21 dBu
  • • Level max input, Gain 50 dB. 21 dBu
  • N / A, line outputs 3 8, back
  • • Resolution: 24 bit
  • • dynamic range (DR): 115 dB RMS unweighted, 118 dBA
  • • frequency response @ 44.1 kHz 0.5 dB: 5 Hz - 20.8 kHz
  • • frequency response @ 96 kHz, 0.5 dB: 5 Hz - 45 kHz frequency response •
  • @ 192 kHz 1 dB: 5 Hz - 89 kHz
  • • THD: < 110 dB <0.00032%
  • • THD + N < 104 dB <0.00063%
  • • channel separation:> 110 dB max •
  • level. Output: +19 dBu
  • • Output: 6.3 mm TRS jack, electronically balanced
  • • Output Impedance: 75 ohms unbalanced 150 ohms balanced
  • • Switchable Output Level: Hi Gain, +4 dBu, 10 dBV • Level
  • output at 0 dBFS @ Hi Gain: +19 dBu •
  • output level 0 dBFS @ +4 dBu: +13 dBu •
  • output level 0 dBFS @ 10dBV: +2 dBV
  • N / A Monitor Stereo XLR output (1-2)
  • As NA, goal
  • • output: XLR, balanced
  • • switchable output Level 24 dBu, Hi Gain, +4 dBu, 10 dBV •
  • output level at 0 dBFS @ 24 dBu +24 dBu
  • • output Level 0 dBFS @ Hi Gain: +19 dBu •
  • output level 0 dBFS @ +4 dBu: +13 dBu •
  • output level 0 dBFS @ 10dBV: +2 dBV
  • N / A Outputs stereo Monitor headphones (9-12)
  • As NA, but:
  • • output: 2 6.35 mm stereo jacks, unbalanced
  • • output level max. 0 dBFS High: +19 dBu •
  • max output level. 0 dBFS Low: +2 dBV
  • • Output Impedance: 2 Ohm
  • • Max. @ 32 Ohm per channel, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu)
  • MIDI
  • • 2 MIDI I / O via DIN sockets • 5
  • pin isolated input optocoupler
  • • Hi speed mode: Jitter and response time typically <1 ms
  • Digital
  • • Clocks: internal, ADAT, AES, word clock
  • • bottom Design jitter: <1 ns in PLL mode, all
  • entry • internal clock: 800 ps jitter, Random spread Spectrum
  • • Removing jitter external clocks:> 30 dB (2.4 kHz)
  • • sampling frequencies: 28 kHz to 200 kHz
  • DIGITAL INPUTS
  • AES / EBU
  • • 1 x XLR, electronically balanced, according AES3 1992 • Compatible
  • SPDIF (IEC 60958) • Consumer and Professional
  • Formats • lock range: 27 kHz to 200 kHz
  • ADAT optical
  • • 2 x TOSLINK, according to Alesis specification
  • • Standard: 2 x 8 channel 24 bit , up to 48 kHz
  • • Double Speed ​​(S / MUX): 2 x 4 channels 24 bit 96 kHz
  • • Quad Speed ​​(S / MUX 4): 2 x 2 channel 24-bit 192 kHz
  • • lock range: 31.5 kHz 50 kHz SPDIF optical
  • (ADAT2)
  • • 1 x optical, according to IEC 60958
  • • Consumer and Professional
  • Formats • lock range: 27 kHz to 200 kHz
  • • Removing jitter:> 30 dB (2.4 kHz)
  • Word clock
  • • BNC
  • • internal Termination 75 Ohm switchable
  • • Automatic Double / Quad Speed ​​and internal conversion to Single Speed ​​
  • • Steady Clock guarantees ultra low jitter even varispeed
  • overload protection • jitter suppression: > 30 dB (2.4 kHz)
  • • lock range: 27 kHz to 200 kHz
  • • Removing jitter:> 30 dB (2.4 kHz) OUTPUT
  • NUMERIQUES`
  • AES / EBU
  • • 1 x XLR, symmetry electronics, according AES3 1992
  • • output level Professional 4.5 Vpp, Consumer 2.6 Vpp • Format Professional according
  • AES3 1992
  • Amendment 4 • Format Consumer (SPDIF) according to IEC 60958
  • • single mode Wire mode, frequency 28 kHz up 200 kHz ADAT
  • • 2 x TOSLINK
  • • Standard: 2 x 8 channel 24 bit, up to 48kHz
  • • Double Speed ​​(S / MUX): 2 x 4 channels 24 bit 96 kHz
  • • Quad Speed ​​( S / MUX 4): 2 x 2 channel 24-bit 192 kHz SPDIF optical
  • (ADAT2)
  • • Format Consumer (SPDIF) according to IEC 60958
  • • sampling frequencies 28 kHz to 200 kHz word clock
  • • BNC
  • • Voltage max. Output: 5 Vpp
  • • Output Voltage @ 75 Ohm terminated: 4.0 Vpp
  • • Output Impedance: 10 Ohm
  • • Frequency range: 27 kHz 200 kHz
  • General
  • • Power supply: 100 240 V AC, 36 Watts
  • • standby power consumption: 19 Watts
  • • typical power consumption: 22 25 watts
  • • Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm
  • • Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm
  • • total Depth: 240 mm
  • • Weight: 3kg
  • • Temperature: + 5 ° to + 50 ° Celsius
Computer connection
 USB 2
Maximum resolution
 24 bit
Max sampling frequency
 192
Compatibility
 MacOS, Windows
Micro input
 4
Phantom power
 Yes
Instrument input
 Yes
Line input
 12
Digital input
 ADAT, AES/EBU, S/PDIF Optical
Line output
 8
Headphone output
 2
Digital output
 Adat, AES/EBU, S/PDIF Optical
MIDI port
 Yes
Word clock
 Yes
19" rack
 1U
Software incl.
 Musical Soft
Power supply
 Power adapter (included)

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