Marcus Miller - F10 6 Cordes Natural Satin
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Electric Bass
Sire Marcus Miller F10 6 Strings Natural Satin
ARTICLE N° 122466
Features
Body shape
Single Cut
Number of strings
6
Instrument size
Long scale (34")
Number of frets
24
Body Type
Solid body
Nut width
54,00 mm (2,126")
Neck material
Mahogany
Fingerboard material
Rosewood
Scale length
889,00 mm (35,00")
Top material
Poplar
Pickup type
Actives
Fingerboard radius
304 mm (11,968")
Body material
Marsh ash
Hardware color
Black
Electronic
Active
Cutaway
Yes
Artist
Marcus Miller
Finish
Satin
Pickup setup
HH
Neck shape
C
Packaging
Single unit
Color
Natural Wood
Assembly
Neck-through
Case or cover included
Hard Case
Other features
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Sire Marcus Miller F10 6 Strings LH
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Left-handed 6-string electric bass
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Series : F10
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Size: Marcus Miller modern single cutaway body
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Pitch : 889 mm
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Colour : Natural Satin
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Finish : Natural Satin
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Top : Solid curly poplar
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Sides : Marsh ash
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Back : Swamp ash
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Bridge : New Marcus Heavymass Custom
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Neck : 5-piece hard maple/mahogany, through-body construction, C-profile
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Fingerboard : Edgeless™ Rosewood with rounded edges
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Radius : 304.8 mm
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Number of frets : 24
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Frets types: Stainless steel medium frets
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Frets size : 2,4 mm
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Nut: Bone, 54 mm wide
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Tuners: Premium die-cast tuners
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Fittings finish: Black
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Pickup: Marcus Pure-H Revolution double-coil set ("Humbuckers")
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Preamp: Marcus Heritage-3 with midrange frequency control
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Controls: Volume/Tone, Blend, Treble, Midrange/Frequency, Bass, pickup variation selector
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Original strings: La Bella 760FS-CB-XL
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Left-handed (LH) orientation
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Swamp ash body with solid curly poplar
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Premium design using top-of-the-range woods and components
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Reinforced quality controls
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Pickups designed to reduce unwanted noise
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White mother-of-pearl/abalone rounded rectangular block fingerboard markers
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Rolled fingerboard edges
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Black aluminium buttons
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Supplied with Sire hard case
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Exclusive Marcus Miller Modern Single-Cut body shape
To find out more...
Marcus Miller has often explained that his admiration for Miles Davis stems as much from his artistic vision as from his music. Working with Davis taught him the importance of silence, space and simplicity in arrangements. This influence had a profound effect on his own production style. Miller understood that a well-placed note could have more impact than a complex technical demonstration. This philosophy became an essential basis of his musical approach throughout his career.
