Rme - ADI-2 Pro FS R Black Edition
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RME ADI-2 Pro FS R Black Edition, ultra high resolution 2-channel AD/DA converter.
ARTICLE N° 74894
Presentation
The ADI-2 Pro FS R Black Edition is THE AD/DA converter, also called AN/DA (analog/digital and digital/analog) of all superlatives: recording and playback that meets DSD standards (up to 768kHz, multi-format converter with monitoring (AES, SPDIF, ADAT), USB DAC, very high quality dual headphone amplifier, iPad/iPhone compatibility.
The new Steadyclock FS clock equips the ADI-2 Pro with 4 hardware input and output level selections. It also integrates a DSP signal processor, USB Class Compliant mode. With sampling rates up to 768 kHz, it allows DSD recording and direct DSD playback (256 / 11.2 MHz).
The DSPs offer 5-band parametric equalizers, adjustable bass/treble control with quick access, binaural crossfeed, adjustable loudness filter, several filters AN/NA, a balanced headphone mode, and more. The screen is not only used to control the device, but also to display alert messages or tips.
The new Steadyclock FS clock equips the ADI-2 Pro with 4 hardware input and output level selections. It also integrates a DSP signal processor, USB Class Compliant mode. With sampling rates up to 768 kHz, it allows DSD recording and direct DSD playback (256 / 11.2 MHz).
The DSPs offer 5-band parametric equalizers, adjustable bass/treble control with quick access, binaural crossfeed, adjustable loudness filter, several filters AN/NA, a balanced headphone mode, and more. The screen is not only used to control the device, but also to display alert messages or tips.
Features
Analog / digital conversion
Yes
Digital / analog conversion
Yes
Maximum resolution
32 bit
Number of channels
2
Other features
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RME ADI-2 Pro FS R Black Edition
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Analogue inputs:
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Input: Combined Jack/XLR, electronically balanced
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Switchable input sensitivity: +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS
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Adjustable gain: from 0 dB to +6 dB
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Signal-to-noise ratio (SNR) @ +13/19/24 dBu: 120 dB RMS, 124 dBA
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Signal-to-noise ratio (SNR) @ +4 dBu: 119 dB RMS, 123 dBA
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Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.5 kHz
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Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.5 kHz
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Frequency response @ 192 kHz, -1 dB : 2 Hz – 92.7 kHz
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Frequency response @ 384 kHz, -1 dB : < 1 Hz – 124 kHz
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Frequency response @ 768 kHz, -3 dB : < 1 Hz – 180 kHz
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THD @ -1 dBFS : -116 dB, 0.00016 %
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THD @ -10 dBFS : -125 dB, 0.000056 %
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Channel separation : > 110 dB
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Analog outputs :
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XLR 1/2
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Switchable output level : +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS
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Signal to noise ratio (SNR) @ +13/19/24 dBu : 120 dB RMS, 124 dBA
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Signal to noise ratio (SNR) @ +4 dBu : 117 dB RMS, 120 dBA
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Frequency response @ 44.1 kHz, -0.1 dB : 0 Hz – 20.2 kHz
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Frequency response @ 96 kHz, -0.5 dB : 0 Hz – 44.9 kHz
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Frequency response @ 192 kHz, -1 dB : 0 Hz – 88 kHz
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Frequency response @ 384 kHz, -1 dB : 0 Hz – 115 kHz
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Frequency response @ 768 kHz, -3 dB : 0 Hz – 109 kHz
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THD @ 0 dBFS : < -120 dB, 0.0001 %
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THD+N @ 0 dBFS : -115 dB, 0.00018 %
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Channel separation : > 110 dB
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Output impedance : 200 Ohm
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TS 1/2 (rear)
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Same as XLR outputs but :
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6.3 mm TS jack, unbalanced
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Maximum output level: +19 dBu
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Signal to noise ratio (SNR) @ +19 dBu: 120 dB RMS, 123 dBA
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Signal to noise ratio (SNR) @ +13 dBu: 118 dB RMS, 121 dBA
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Signal to noise ratio (SNR) @ +4 dBu: 115 dB RMS, 118 dBA
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Output impedance: 100 Ohm
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PH 1/2 headphone output:
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Same as TS 1/2 outputs but :
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6.3 mm TRS jack, unbalanced, stereo
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Output impedance: 0.1 Ohm
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Signal to noise ratio (SNR) @ +22 dBu: 120 dB RMS, 123 dBA
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Signal to noise ratio (SNR) @ +7 dBu : 118 dB RMS, 121 dBA
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Output level at 0 dBFS, ref +19 dBu, 100 Ohm or more load : +22 dBu (10 V)
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Output level at 0 dBFS, ref +4 dBu, 8 Ohm or more load : +7 dBu (1.73 V)
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THD @ +18 dBu, 32 Ohm load, 1.2 Watt : -110 dB, 0.003 %
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THD+N @ +18 dBu, 32 Ohm load : -107 dB, 0.00045 %
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THD @ +14 dBu, 16 Ohm load, 0.94 Watt : -110 dB, 0.0003 %
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Max power @ 0.001% THD: 1.5 W per channel
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Headphone output PH 3/4:
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Same as headphone outputs PH 1/2 but:
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Output level at 0 dBFS: Hi-Power Off +7 dBu, Hi-Power On +22 dBu
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Balanced headphone mode
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Same as above but:
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Output level at 0 dBFS: Hi-Power Off +13 dBu (3.46 V), Hi-Power On +28 dBu (19.5 V)
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Output impedance: 0.2 Ohm
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Signal-to-noise ratio (SNR) @ +28 dBu: 123 dB RMS, 126 dBA
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Signal-to-noise ratio (SNR) @ +13 dBu: 121 dB RMS, 125 dBA
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Output level at 0 dBFS, Hi-Power On, 150 Ohm or more load: +28 dBu (19.5 V)
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Output level at 0 dBFS, Hi-Power Off, 8 Ohm or more load: +13 dBu (3.46 V)
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Max power @ 0.001 % THD: 2.9 W per channel
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Digital inputs:
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Lock frequency: 28 kHz - 200 kHz
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Jitter suppression: > 50 dB (2.4 kHz)
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AES/EBU:
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XLR, transformer balanced, galvanic isolation, conforming to AES3-1992
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Input sensitivity 1.0 Vpp
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SPDIF coaxial:
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RCA, transformer balanced, conforming to IEC 60958
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High sensitivity input stage (< 0.3 Vpp)
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AES/EBU compatible (AES3-1992)
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Optical SPDIF:
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Optical, in accordance with IEC 60958
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ADAT compatible
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Digital outputs:
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AES/EBU:
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XLR, transformer balanced, galvanic isolation, in accordance with AES3-1992
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Output level 2.7 Vpp
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Professional format in accordance with AES3-1992 amendment 4
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Single Wire mode, sampling rate 28 kHz up to 200 kHz
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Coaxial SPDIF:
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RCA, in accordance with IEC 60958
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Output level 0.75 Vpp
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Consumer format in accordance with IEC 60958
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Single Wire mode, sampling rate 28 kHz up to 200 kHz
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Optical SPDIF:
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Optical, in accordance with IEC 60958
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Consumer format in accordance with IEC 60958
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Sampling frequency 28 kHz up to 200 kHz
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Clock: internal, AES In, SPDIF In, ADAT In
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Jitter suppression of external clocks: > 50 dB (2.4 kHz)
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Influence of clock jitter on AD and DA conversion: close to zero
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PLL ensuring no cutoff, even at more than 100 ns of jitter
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Supports external sampling frequencies from 32 kHz to 200 kHz
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Internal sampling frequencies from 44.1 kHz to 768 kHz
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General:
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External switching power supply, 100 - 240 V AC, 2 A, 24 Watt
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Standby consumption: 50 mW
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No-load consumption: 10 Watt, max 22 Watt
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No-load current at 12 V: 850 mA (10 Watt)
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Operating temperature: +5° to +50° Celsius
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Dimensions: 215 x 44 x 130 mm
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Weight: 1.0 kg
To find out more...
Professional functions such as M/S processing, stereo width, or phase inversion can also be stored. The renowned RME 30-band spectral analyzer perfectly complements the high-resolution IPS display.
The ADI-2 Pro’s remote control allows direct control over standby, volume, balance, input selection, mute, loudness, bass and treble levels, and EQ. In addition, four buttons can be programmed to access 52 different functions.
The ADI-2 Pro’s remote control allows direct control over standby, volume, balance, input selection, mute, loudness, bass and treble levels, and EQ. In addition, four buttons can be programmed to access 52 different functions.
Spotlight on
Since 1996, RME has been providing high-quality equipment for computer-based music recording (CBR): Converters, USB, FireWire and/or Thunderbolt audio interfaces with built-in DSP, which together with TotalMix FX offer numerous mixing, effects and even remote control features. The majority of RME's products are Mac, PC and iOS compatible, giving you the freedom to record and produce, wherever the music takes you. Whether it's for the stage or studio, you can count on your RME audio equipment to deliver the quality and reliability you expect.
