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Rme - Fireface UFX Plus

This product is no longer available for sale
Rme
Satisfied or your money back for up to 45 days
Guarantee 3 years
Fireface UFX Plus Rme Fireface UFX Plus Rme
Fireface UFX Plus Rme
Fireface UFX Plus Rme
2 249,17 € excl VAT
including eco-part : 0,07 €
Guarantee 3  years
Anais
Anais
Tristan
Tristan
Do you need help?
Audio Interfaces

The Fireface UFX RME + is a USB and Thunderbolt card 188 channels. One of the best on the market! USB 3.0, Thunderbolt, powerful DSP on ... A monster studio.

ARTICLE N° 53623
Other features
|Accessories

Other features

  • 94 input channels and 94 output channels
  • 12 analog inputs / outputs
  • 4 micro preamps / instrument, digital control
  • 1 input / output AES / EBU
  • 2 ADAT ports (1 or more ADAT 1 SPDIF optical port)
  • 1 / O Word Clock
  • 2 input / output MIDI
  • 1 port Thunderbolt ™
  • 1 USB 3.0
  • TotalMix FX
  • Remote Control Advanced Remote Control USB optional
  • ANALOG
  • YEAR entries line 1 8, back
  • Resolution AN: 24 bit
  • signal / noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
  • frequency response @ 44.1 kHz, -0.1 dB: 5 Hz - 20.8 kHz
  • frequency response @ 96 kHz, -0.5 dB: 3 Hz - 45.8 kHz
  • frequency response @ 192 kHz -1 dB: 2 Hz - 92 kHz
  • THD: <-110 dB <0.00032%
  • THD + N <-104 dB <0.00063%
  • Channel separation:> 110 dB
  • entry Level max. : 19 dBu
  • Input: 6.3 mm TRS jack, symétrei
  • electronic Input impedance: 8 asymmetric kOhm, 12 kOhm balanced
  • Input sensitivity switchable to Lo Gain, +4 dBu
  • Input Level for 0 dBFS @ Lo Gain: +19 dBu
  • input Level for 0 dBFS @ +4 dBu: +13 dBu
  • variable Gain: 0 to + 12dB
  • Level min. for 0 dBFS: +1 dBu, dBV -1.2
  • microphone inputs 9 12 before
  • As AN, but:
  • Input: XLR,
  • electronic symétrei Input Impedance: 3.4 kOhm
  • Signal / noise ratio ( SNR): 115 dB RMS unweighted, 118 dBA
  • Gain Range: 75dB
  • max input Level, Gain 0dB.
  • +18 dBu maximum input Level, Gain 75 dB. -57 dBu
  • LED clip: 0 dBFS
  • signal LED: -60 dBFS
  • instrument inputs 9 12 before
  • As AN, but:
  • input: 6.3 mm jack TS, asymmetric
  • input impedance: 1 MOhm
  • signal / noise ratio (SNR): 114 dB RMS unweighted, 118 dBA
  • range Gain: 42 dB
  • max input level, gain 8 dB. 21 dBu
  • maximum input Level ., Gain 50 dB -21 dBu
  • NA, line outputs 3 8, rear
  • Resolution: 24-bit
  • dynamic range (DR): 115 dB RMS unweighted, 118 dBA
  • Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz - 20.8 kHz
  • Frequency response @ 96 kHz, -0.5 dB: 5 Hz - 45 kHz
  • Frequency response @ 192 kHz -1 dB: 5 Hz - 89 kHz
  • THD: <-110 dB <0.00032%
  • THD + N <-104 dB <0.00063%
  • channel separation:> 110 dB
  • max. Release: 19 dBu
  • Output: 6.3 mm TRS jack, power balanced
  • Output Impedance: 75 Ohm asymmetrical, 150 Ohm balanced
  • switchable output level Hi Gain, +4 dBu, -10 dBV
  • Level exit 0 dBFS @ Hi Gain: +19 dBu
  • output level at 0 dBFS @ +4 dBu: +13 dBu
  • output level at 0 dBFS @ -10dBV: +2 dBV
  • NA Stereo output Monitor XLR (1-2) As
  • NA, goal
  • output: XLR, balanced
  • switchable output level 24 dBu, Hi Gain, +4 dBu, -10 dBV
  • output level to 0 dBFS @ 24 dBu : +24 dBu
  • output level at 0 dBFS @ Hi Gain: +19 dBu
  • output level at 0 dBFS @ +4 dBu: +13 dBu
  • output level at 0 dBFS @ -10dBV: 2 dBV
  • NA Monitor outputs stereo headphone (9-12) As
  • NA, but:
  • output: 2 6.35 mm stereo jacks, asymmetric
  • maximum output level. 0 dBFS High: +19 dBu
  • Output level max. 0 dBFS, Low: 2 dBV
  • Output Impedance: 2 Ohm
  • Max. @ 32 Ohm per channel 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu)
  • MIDI
  • 2 MIDI input / output via pin DIN plugs 5
  • Entry optically isolated
  • Hi-Speed ​​mode: jitter and time response typically <1 ms
  • 1 e / s MIDI over MADI
  • DIGITAL
  • Clocks: Internal, ADAT, AES, MADI, word clock
  • Design low jitter: <1 ns in PLL mode, any input
  • Clock internal: 800 ps jitter, Random spread Spectrum
  • Removing jitter external clocks:> 30 dB (2.4 kHz)
  • sampling frequency: 28 kHz to 200 kHz
  • digital inputs
  • MADI
  • Optical via connector SC Duplex FDDI
  • Compatible 62.5 / 125 and 50/125
  • Coaxial via BNC (input word clock), 75 Ohm
  • Open 56/64 channel modes, and 96k Frame
  • Standard: up to 64 channels 48 kHz 24 bit
  • S / MUX: up to 32 channels 24 kHz 96 bit
  • S / MUX4: up 16-channel 24-bit 192 kHz
  • AES / EBU
  • 1 x XLR, electronically balanced according AES3-1992
  • Compatible SPDIF (IEC 60958)
  • Consumer Formats and Professional
  • ADAT optical
  • 2 x TOSLINK according specification Alesis
  • Standard: 2 x 8 channel 24 bit, up to 48kHz
  • Double Speed ​​(S / MUX): 2 x 4 channels 24 bit 96 kHz
  • Quad Speed ​​(S / MUX 4): 2 x 2-channel 24-bit 192 kHz
  • SPDIF optical (ADAT2)
  • 1 x optical, according to IEC 60958
  • Consumer Formats and Professional
  • Word clock
  • BNC
  • internal termination 75 Ohm disengageable
  • Automatic detection Dual / Quad Speed ​​and internal conversion to Single Speed ​​
  • Steady Clock guarantees ultra low jitter even varispeed
  • overload protection
  • jitter suppression:> 30 dB (2.4 kHz) Outputs
  • numériques`
  • MADI Optical connector SC Duplex FDDI via
  • Compatible 62.5 / 125 and 50 / 125 CR LFXML - Cable length: up to 2000 m
  • Coaxial via BNC, 75 Ohm
  • Voltage output: 600 mVpp
  • Cable length: up to 100 m
  • Open modes 56/64 channels, and 96k Frame
  • Standard: up to 64 channels 24 kHz 48 bit
  • S / MUX: up to 32 channels 24 kHz 96 bit
  • S / MUX4: up to 16 channels 24 bit 192 kHz
  • AES / EBU
  • 1 x XLR, electronically balanced according AES3-1992
  • output level Professional 4.5 Vpp, Consumer 2.6 Vpp
  • Format Professional according AES3-1992 Amendment 4
  • Consumer Format (SPDIF) according to IEC 60958
  • single mode Wire guide , frequency 28 kHz to 200 kHz
  • ADAT
  • 2 x TOSLINK
  • Standard: 2 x 8 channels of 24 bit, up to 48 kHz
  • Double Speed ​​(S / MUX): 2 x 4 channel 24 bit 96kHz
  • Quad Speed ​​(S / MUX 4): 2 x 2 channels 24 bit 192 kHz
  • SPDIF optical (ADAT2)
  • Consumer Format (SPDIF) according to IEC 60958
  • Sampling frequencies 28 kHz to 200 kHz word clock
  • BNC
  • Voltage max. Output: 5 Vpp
  • output voltage @ 75 Ohm terminated: 4.0 Vpp
  • Output Impedance: 10 Ohm
  • Frequency Range: 27 kHz - 200 kHz
  • General
  • Power supply: 100 - 240 V AC, 36 Watts
  • standby power consumption: 19 Watt
  • typical power consumption: 22-25 Watts
  • Dimensions with rack ears (WHD): 483 x 44 x 210 mm
  • Dimensions without rack ears (WHD): 440 x 44 x 210 mm
  • total depth: 240 mm
  • Weight: 3.2 kg
  • Temperature: + 5 ° to + 50 ° Celsius
Rme - Fireface UFX Plus
Rme - Fireface UFX Plus
2 249,17 € excl VAT
including eco-part : 0,07 €
Guarantee 3  years
Anais
Anais
Tristan
Tristan
Do you need help?

Spotlight on

Since 1996, RME has been providing high-quality equipment for computer-based music recording (CBR): Converters, USB, FireWire and/or Thunderbolt audio interfaces with built-in DSP, which together with TotalMix FX offer numerous mixing, effects and even remote control features. The majority of RME's products are Mac, PC and iOS compatible, giving you the freedom to record and produce, wherever the music takes you. Whether it's for the stage or studio, you can count on your RME audio equipment to deliver the quality and reliability you expect.

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